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Word: svetlova (lookup in dictionary) (lookup stats)
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Marriage Revealed. Alexander Solzhenitsyn, 54, Nobel-prizewinning Russian author whose books (One Day in the Life of Ivan Denisovlch, August 1914) are banned in the Soviet Union but are bestsellers in the West; and Natalya Svetlova, 34, mathematician and the mother of Solzhenitsyn's two sons; he for the third time (he was married twice to his first wife), she for the second; last month in Moscow...

Author: /time Magazine | Title: Milestones, May 14, 1973 | 5/14/1973 | See Source »

...Natalya Alexeyevna Reshetovskaya, fiftyish; after 24 years of marriage (three of separation), no children; in Ryazan, U.S.S.R. Natalya's settlement is said to be one-third of the writer's $80,000 Nobel money. Solzhenitsyn, after a brief waiting period, will be free to marry Natalya Svetlova, 34, the mother of his two sons...

Author: /time Magazine | Title: Milestones, Apr. 2, 1973 | 4/2/1973 | See Source »

...paid, said the Soviet tactic was "absurd" because "Solzhenitsyn and I come to much the same conclusions.") As another harassment the Russian Supreme Court undertook to review Solzhenitsyn's 1971 divorce decree from his first wife-and reversed it. That prevented him from marrying his companion, Natalya Svetlova, and legitimizing their two sons...

Author: /time Magazine | Title: People, Jan. 22, 1973 | 1/22/1973 | See Source »

...flew up from Los Angeles to conduct the lyrical fairy tale he composed 50 years ago. In addition, Ross got Saul Steinberg, whose metaphysically satirical cartoons appear in The New Yorker, to design the sets; Actor Basil Rathbone was the narrator, Screen Actor John Gavin the soldier, Ballerina Marina Svetlova the princess, and Dancer Anton Dolin the Devil...

Author: /time Magazine | Title: Opera: Seattle's Soldat | 3/10/1967 | See Source »

...sumptuously costumed choristers arranged like figures in a Renaissance tapestry, Dame Margot was a floating vision in white. Dancing with the Paris Opera's Attilio Labis, she portrayed a maiden-monarch torn between love and duty, melting from sternly regal poses into flights of rapturous lyricism. Marina Svetlova's straightforward choreography was in perfect accord with Purcell's music-buoyant, charming, exquisitely simple...

Author: /time Magazine | Title: Festivals: An Appetite-Whetting Thing | 6/10/1966 | See Source »

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