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CHAD HUMMEL portrays the penniless, flippantly cynical Jamie with the appropriate swagger and charm. He is a little too confident, through, for a dissipated libertine whose aspirations have all plummeted. Throughout the play he talks loudly and eagerly and when he sits down he slings his leg over his chair and swings it. But all of a sudden in the last scene, he turns into an inebriated mass of insecurity. The quintessential drunkard, he teeters and stumbles as he walks and rolls his eyes as he declares: "'My name is Might Have Been...

Author: By Jane Avrich, | Title: Long Night | 3/9/1984 | See Source »

...trick has been solved.) Two decades later, Arnie Cunningham (Keith Gordon), nerd of high school nerds, owns Christine-and is possessed by her. In a trice this four-eyed Faust is transformed into a cool dude with clear skin, wrap-around shades, slick black hair and the sexy swagger of a Vegas lounge star. No wonder Leigh (Alexandra Paul), the prettiest girl on campus, is aswoon over Arnie. But she has tough competition in Christine. Such jealousy: when Leigh suggests that Arnie is too attached to his car, Christine forces the girl to choke, nearly to death, on some fast...

Author: /time Magazine | Title: Cinema: Season's Bleedings in Tinseltown | 12/19/1983 | See Source »

Rumble Fish is the messiest, most provocative inkblot of the year. On the naturalistic level, Francis Coppola's film is a botch, a hoot. The two main characters-Rusty-James (Matt Dillon), a 17-year-old punk who figures he moves with the swagger of stardom, and his older brother the Motorcycle Boy (Mickey Rourke), tired of being an outlaw legend in Rusty-James' eyes-are little more than the sum of their mannerisms. Their father (Dennis Hopper) is a philosophizing sot who comes and goes with the whim. Rusty-James' girlfriend (Diane Lane) is a mere...

Author: /time Magazine | Title: Cinema: Time Bomb | 10/24/1983 | See Source »

Mishima's abrasive career ended in seppuku (disembowelment, then decapitation by a member of his private "army"). Kawataba and Dazai were not given to such self-dramatization, but they too died by their own hands. Indeed, it is no mere verbal swagger to define contemporary Japanese writing as a matter of life and death. In the '70s one Tokyo scholarly journal devoted an entire issue to "The Writer and Suicide." There is a death wish operating through Japanese literature. Says Masao Miyoshi, a Japanese lit erary scholar (Accomplices of Silence...

Author: /time Magazine | Title: Books: Appetite for Literature | 8/1/1983 | See Source »

...pomaded pimp, with teeth like sheathed knives, huckstering his how-to books for young ladies, I Wanna Be a Ho and Exercises of Love. Now he is Tyrone Green, an illiterate convict lionized by radical chic for his vengeful poetry ("Cill My Lanlord") and moving with the mean swagger of a ghetto goon pulling off his toughest scam. A few commercials later, he is Tyrone's spiritual cousin, Film Critic Raheem Abdul Muhammad, fashioning a variation on local-news patter-"Angry Talk"-as he accuses Jerry Falwell's followers of having a sneaking fondness for dirty movies...

Author: /time Magazine | Title: Show Business: The Good Little Bad Little Boy | 7/11/1983 | See Source »

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