Word: swaggering
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...gone. Intimates insisted that illness was not a factor. He did quit his latest film in November because of a painful constriction in his hand, but surgery supposedly has corrected that. He is back on the golf course and still moves with the old deliberate cock-of-the-walk swagger. With his hair transplant and added poundage, he looks healthier-but worse -than the peaked kid with the caved-in cheeks who played the Paramount...
...Priapic Swagger. Unlike the Impressionists, Gauguin did not paint what he saw: he chose to see what he wanted to paint. And his ideas on what was paintable grew out of other art-from the broad color patches and rhythmic line of Japanese cloisonne and wood block prints, from rural Breton sculpture and the flattened, monumental figures of a French artist he greatly admired, Puvis de Chavannes. Style absorbed him -not only the priapic swagger and ebullience of his own lifestyle, but the pervasive feedback of art style into nature. Even the fierce colors which scandalized some of his contemporaries...
...redeeming grace was that his concerns, no matter how matted in
self-indulgence and hyperbole, were not his alone. Unlike most troubled
people. Aquarius could not live life with clenched teeth. He had to
swagger and perform because he still was possessed by the vision of
changing the consciousness of his time. It was a question of finding
its most vital form, of finding something to love beyond an idea or an
id
Romantic leads go to Jonathan Smythe, a mustached Englishman who clips his words and stands as if he had swallowed a swagger stick. Glamour is provided by Mademoiselle Garonce, a Viennese-educated vision in chiffon with a husky voice that sounds as if it might burst into flame at any moment. The fifth member of the troupe is Elsie Lump (pronounced Loomp), a grumpy ex-London music-hall harpy with sullen manners, a cockney accent and hair the color of smoked salmon...
...laryngitic that one expects a stage manager to step forward to announce the appearance of Mr. Harris' understudy. When his speeches are unclouded, Harris endlessly "beseeches" always "in the name of God" even more often than Tevye in Fiddler on the Roof. But he struts with a histrionic swagger entirely out of keeping with Cromwell's Christian zeal...