Word: swaggeringly
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BILLY IS CONFINED to Istanbul's Sagmalcilar prison, and its human managerie has a telling effect on him from the very beginning. The brash swagger becomes a distant memory, its place taken by a deep sense of shame and humiliation. Billy has been given a new role to play, the new kid on the cell block trying to learn the prison ropes from his more experienced fellow inmates. Everything about the new Billy suggests the chastened boy he has become. He asks about lawyers, means of escape, the life histories of the other foreigners whose follies landed them in Sagmalcilar...
...henpecked-neurotic, the way Sam Levene created the character in the original back in '47. Levi has a nice voice, but it doesn't help much; Nathan doesn't have to sing very often. His characterization seems somehow too neurotic, too much mama's boy and not quite enough swagger for the proprietor of a floating crap game. But he's funny. They're all funny, or at least funny enough...
...this time around, after a career of character roles in little-seen films (Straight Time, The Last American Hero). Whether he is playing Holly as a hick in the big city or a lovesick husband or a teen-age idol, Busey always seems convincing. He brings a swagger to the musical numbers and an engaging buck-toothed charm to the script's dramatic moments. Maybe the real Holly was someone else entirely, but Busey is certainly the right man for this paradoxical film. He is at once sexy enough to turn on the young and sweet enough to bring...
There is no Mick Jagger swagger to Glass, onstage or off. He evades questions about his private life. At Carnegie Hall, he appeared in blue jeans and seemed embarrassed by the applause. "I love it when people cheer, but I never know what to do," says Glass. His ensemble has no polish and even bumbles its bows, but Glass feels that the best act is no act. "I don't want to kowtow to popular culture - break my instruments onstage...
...these divergent strains and spiky attitudes have assigned Joel uncertain territory between rock and pop and have tended to keep most big-league rock critics at a distance from his work. "I don't need that." he comments, street kid's swagger still intact. "Long, learned reviews are just hard to read...