Word: swaggers
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Dates: during 1970-1979
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...heard that the Caravan Theatre's new production of Waiting for Godot turns Beckett's four lonely male characters into two married couples. So was the gregarious young New York actress I talked to outside, "It's the all too familiar spectre, so to speak," she said, attempting to swagger like Mae West, "of the question just what can and cannot be dose with a play after it leaves the playwright's hands. Why someone went so far as to put on Virginia Woolf with an all gay cast. Albee went to court to stop it. I forget whether...
Camelot ignored all this and went blithely into the quagmire-"a war," writes Halberstam, "which no one wanted, but which the rhetoric seemed to necessitate." Not only the rhetoric of ritualistic anti-Communism but the rhetoric of machismo: the compensatory swagger of the liberal, the intellectual, to demonstrate he was a Realpolitik he-man by the American code. Here Halberstam simplifies in his zeal to give history a firm story line. He is more thoroughly convincing when he depicts what might be called the debacle of drift...
...still moves around with the same wolfish swagger that drugstore idolaters everywhere have tried to imitate. Yet there is a discernible difference in the Namath style. He now says things like "I pray every night when I go to bed -when I can." Like wayward Tom, Joe Willie has cheated the various nooses that could have slipped round his neck-by the simple expedient of growing...
...acting basses in the business. Till now he has been best known for his near-definitive interpretation of Boito's Meftstofele. In Hoffmann, he imbues Coppelius with the grace of ballet, which he studied to equip himself for opera. Treigle's Dappertutto is all bluster and crafty swagger, perhaps reflecting the lessons he once took from a Mexican matador. His Dr. Miracle demonstrates the hypnotic effect of the most stylistic, crafty and flexible set of arms and legs in all opera. As to his voice, a huge cannon's roar, there is seemingly no way that...
...reactions give the film a base on which its audience can stand. Voight's eyes and stance manage to express naivite, moral and physical shock, the hard intent of a man who must reach a pinpointed goal, and the penance of a killer reawakened to humanity. Without him, the swagger of an uncontrolled Burt Reynolds as the uncontrollable Lewis, and the inordinate weakness in Ronny Cox's Drew, might have scuttled the production as well as its canoes...