Word: swaggers
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Dates: during 1980-1989
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...swagger and flippancy of that remark were qualities, shared and multiplied among a staff of intrepid writers, that made the show into a certifiable cultural phenomenon. S.N.L. was the first network program to cut off a slice of the energy, irreverence and scapegrace spirit of rock culture. It was also the first major forum for the comedy underground that had begun to form in the late '60s. This was humor influenced by Mad magazine and the National Lampoon, Ernie Kovacs and Monty Python, William S. Burroughs and Johnny B. Goode. Under the shrewd editorial tutelage of Producer Lorne Michaels, this...
...exertions, matches the two funsters with a cartel of shifty Arabs and a tribe of gullible black Africans. (But my, can they dance!) Every Third World racial cliche is put into the service of derring-do recycled by Director Lewis Teague from Indiana Jones discards. With their cheery imperialist swagger, Douglas and Turner are emissaries of Hollywood's latest foreign policy: Pox Americana...
...white," says Galanos, snatching a rope of beads from the neck of a black-and-white coat. The models line up for the opening parade. Makeup and style have reduced them to pure line and angle. They look like fashion sketches of, say, 1936. They swagger out to the runway. Applause. "They do like color in Texas," says a returning brunet, already changing out of an orange-and-black suit...
Human beings are rarely more nauseating than when they play the do-gooder and know it. The tight lipped evil of a monocled Erie Stroherm snapping his swagger stick has nothing on the gagging scale to the beatific smiles found on any evangelical show, their lips drooling the milk of human kindness. The only reason that the prototypical single of the Band band-wagon ("Do They Know It's Christmas") could be stomached was that it got no higher on the saccharinemeter than the usual sappy Christmas season pieties that inundate America's speakers after Thanksgiving. Radio stations had enough...
...easy, having fun," he likes to say. His common speech owes something to Huntz Hall and Leo Gorcey, though he can shift from "dese" and "dose" to a surprising eloquence. He sways behind the center like a royal palm, but it is a greater wonder how he can swagger sitting down and strut standing still. A compact passing release is characteristic of his general economy of movement and thought. "Most quarterbacks have that high- arm action," Shula demonstrates, "but everything he does is down in here," motioning about shoulder level, "a terrific torque, that tremendous explosion...