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...ceaseless tour of the "Caravana Rolidei," a hilariously low-rent travelling carnival under command of Lord Gypsey (Jose Wilker), a tacky magician impresario. With him is his lover Salome (Betty Farish), "the Rhamba Queen," a tawdry sexpot who moonlights as a hooker, and a Black deaf-mute muscleman named Swallow. When this troupe rolls into Pirhanhas they become the way out for an idealistic, accordion-playing farmboy. Cico (Fabio Junior), who fears an existence rooted in the sleepy backlands and joins the outfit with his pregnant young wife. The old pros and the innocents rattle together from one poor village...

Author: By F. MARK Muro, | Title: To the Brazilian Beat | 2/5/1981 | See Source »

Similar calls for restraint were heard at commemorative ceremonies last week in Gdynia and Szczecin, the other flash points of the 1970 revolts. The observances themselves could have been construed as a challenge to Moscow, but the Kremlin was apparently prepared to swallow them, for the sake of helping the Polish Communist Party reassert its authority. After weeks of roller-coaster crisis, leaders of the party and Solidarity, the foundation of Poland's independent unions, appear to have reached at least a temporary meeting of minds. One White House aide, delighted that the threat of an immediate Soviet invasion...

Author: /time Magazine | Title: We Want a Decent Life | 12/29/1980 | See Source »

...Seven Deadly Sins of the Lower Middle Class to a Cambridge/Loeb Drama Center audience risks a failure of communication: the gulf between Brecht's selfish characters clawing away at each other on the stage and the dainty gourmet shops sitting outside on Brattle St. seems wide enough to swallow Seven Deadly Sins' compact message. The great virtue of Alvin Epstein's American Repertory Theatre production is its dextrous explication of Brecht's easily garbled multiple ironies. Epstein uses his performers, music, dance, mime and even neon signs to illuminate Brecht's critique of the half-life of the bourgeoisie...

Author: By Scott A. Rosenberg, | Title: Brecht in Boldface | 12/9/1980 | See Source »

...sounds ridiculous. The scene, like many, is ridiculous. Every Man is a lot to swallow. But how much should we disown from our experience? Can we dismiss it as a possibility? Most of us will...

Author: By Shepard R. Barbash, | Title: An Unknowing Polemic | 12/6/1980 | See Source »

...evaluate courses in each of the five Core areas and then report their findings would prove workable and beneficial. But no system will work without the cooperation of professors teaching in the Core. For the sake of the program and students taking courses in it, they must learn to swallow their pride and accept some constructive criticism...

Author: By Burton F. Jablin, | Title: Keeping the Core From Rotting | 11/14/1980 | See Source »

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