Word: swamis
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...sage nods of commendation for the director who had modernized a middle-age franchise: J.J. Abrams, the TV-drama mogul of Alias, Lost and Fringe and a member of that ultra-exclusive club, the TIME 100. "J.J. Abrams is officially the Lazarus of movie directors," proclaimed box office stats swami Steve Mason - though Abrams' only other retooling, Mission: Impossible III, was the lowest-grossing of that action trio...
...Followers give the credit to Swami Shantanand Saraswathi, the "mobile monk" as some call him, who went to Malaysia in 1971 on a spiritual calling and, finding master musicians and dancers among his new devotees, turned his life's work into becoming an impresario - eventually creating Temples of Fine Arts in Singapore, Australia, India and Sri Lanka as well. The swami died in 2005, long before the fruition of his work in K.L., which when fully operational will comprise a 600-seat auditorium, an art gallery, seven dance studios, 12 music rooms and more...
...Temple eventually wants to hold outdoor performances and picnics at the back of the building, where the Klang River runs. Outsiders may see nothing but a grubby concrete gully there, but the Brickfields community sees a far richer place. As Gunaratnam says, "Swami called this our River Ganges...
...being omnipotent in order to learn how tough it is to be in charge of the universe. This time it's just an excitable friend (John Michael Higgins) who drags Carl to one of those personal-help messiahs who pock the California mindscape. The word from this shock-haired swami (Terence Stamp) is "Yes." By saying yes to every chance that comes your way - a homeless man's plea for your money, a street peddler's flier for a band concert, a loan request from any indigent who wanders into the bank - you will open yourself to unexpected possibilities...
...could have been called "Let Us Now Praise/Blame Little/Big Men" - Manny seemed to prefer the Time Agee to the Nation one: "Agee's Time stint added up to a sharp, funny encyclopedia on the film industry in the 1940s. Though he occasionally lapsed into salesmanship through brilliantly subtle swami glamour (Henry V, the Ingrid Bergman cover story), Agee would be wisely remembered for quick biographies and reviews, particularly about such happy garbage as June Haver musicals and an early beatnik satire Salome Where She Danced, where his taste didn't have to outrun a superabundant writing talent...