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Word: swamp (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...find it impossible to brew serious beer. The Germans and Austrians are masters, of course. Scandinavians, Dutch and French are experts. Italians see no point in beer, but what they make is drinkable. Mexicans produce good summer-weight cerveza. Canadian beer includes such hairy, out-of-the-swamp- and-still-dripping specialties as Moosehead, fondly known as Moosebreath by truck drivers in the Northeast. Japanese export beer tends to be thin and disappointing, which is to say it tends to taste far better than our mainstream belly wash. For that matter, Ladakhi Buddhists in remote Himalayan valleys make beer better...

Author: /time Magazine | Title: In Vermont: Making Beer the Old-Fashioned Way | 2/23/1987 | See Source »

...imagination race wild. "Maybe it's my blue-collar background, but work meant to me that you come home covered with sweat," he says. "Now I just have to brush away the eraser shavings." Larson may dirty his hands soon. He is thinking of turning his backyard into a swamp stocked with salamanders, frogs and koi. And, of course, childhood memories...

Author: /time Magazine | Title: Press: All Creatures Weird and Funny | 12/1/1986 | See Source »

...rain didn't have a huge effect on the field until the fourth quarter," he was saying. "By that time the field was just a swamp...

Author: By Jonathan Putnam, | Title: Singing (the Blues) in the Rain | 11/10/1986 | See Source »

...closed-circuit monitor in a 7-Eleven store. You could find the proceedings funny or tedious; Jarmusch was too hip to care. He does have an eye, though, and aided by Cinematographer Robby Muller he makes Down by Law a ravishing shadow play. A canoe knifes through a tapioca swamp; the chiaroscuro that swathes a prostitute's body shows her proud and pouting; the long, matching faces of Lurie and Co-Star Tom Waits catch the furtive light like desanctified El Grecos...

Author: /time Magazine | Title: Cinema: Weird Trios and Fun Couples | 11/3/1986 | See Source »

...plotline is so secondary to the action that Jarmusch doesn't even bother to explain how the threesome escapes from their swamp-bound prison. The setting is just a convenient way for putting three strange people in the same room for a long time, just as Jarmusch did in his first film, Stranger than Paradise. In Paradise, the long pauses and spaced-out banality of the dialogue was so odd that it quickly became funny, similar to what might happen while watching 200 laundry detergent commercials in a row. Jarmusch dishes out more of the same in Law, only with...

Author: By Cyrus M. Sanai, | Title: Cinema Veritas | 10/10/1986 | See Source »

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