Word: swanking
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...basic collection. Even when TNT had commercials and AMC didn't, the Turner network had an edge because its library was stronger than its rival's. Turner had (and has) the grandeur of MGM, the grit of Warners, the swank of RKO. And the movies usually look great. This is a living archive; it keeps restoring classic films so they look as pristine as when they premiered. That's thanks in large part to George Feltenstein, whose title is senior vice president of theatrical catalog marketing at Warner Home Video, but who is really the boss of all things...
...Skip Woods, Wolverine was directed by Gavin Hood, a South African who earlier made two exercises in political solemnity, Tsotsi and Rendition. The new movie has a sharper look and a smarter film sense, because Hood is surrounded by the sort of artist-technicians who can lend cinematic swank to almost any action picture. But that's now par for the course, and Wolverine doesn't rise above the level of familiar competence...
...only after the director yells "Cut!" that you'd notice that the façade over Gallagher's right shoulder is in fact the 100-year-old Ford Building in downtown Detroit. This scene, along with every other from the legal drama Betty Anne Waters, starring Hilary Swank, is being filmed in Michigan, the new Hollywood of the Midwest...
...redemption under an iconic leader - is a movie script made real. And Hollywood has shot that script over and over again. In 2004, Samuel L. Jackson and Juliette Binoche made In My Country about the Truth and Reconciliation Commission hearings in the mid- to late '90s, and Hilary Swank starred as an attorney representing a black South African political activist seeking amnesty in Red Dust. Then came Catch a Fire (terrorism during apartheid) with Tim Robbins in 2006 and Goodbye Bafana (the friendship between Mandela and his white prison guard) with Joseph Fiennes in 2007. This year brings Endgame...
...know what women want," says Valentino Garavani in Matt Tyrnauer's swank new documentary Valentino: The Last Emperor. "They want to be beautiful." But the question any couturier must answer is, What kind of beautiful do they want to be? For Valentino, as he and the fashion house he created are called, it's the very traditional kind: the long lines and soft fabrics of Hollywood Golden Age couture. From 1964, when he captured Jacqueline Kennedy's attention and began clothing her in a monarch widow's blacks and whites, the little man with the slim, feline smile has outfitted...