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Word: swanning (lookup in dictionary) (lookup stats)
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...Oxford camp can go into admirable contortions explaining why Shakespeare's friendly rival Ben Jonson, in an encomium in the 1623 First Folio, calls the deceased Bard "the swan of Avon" (a conspiracy, they say). But their gravest problem is the existing poetry of De Vere himself. It is competent yet uninspired. The 20 or so poems may be juvenilia, but there is neither spark nor promise to the lines, too full of alliteration, all too devoid of depth. "Fram'd in the front of forlorn hope past all recovery,/I stayless stand, to abide the shock of shame...

Author: /time Magazine | Title: History: The Bard's Beard? | 2/15/1999 | See Source »

...SWAN LAKE You mean, the swans were once played by women? That's an understandable reaction to Matthew Bourne's acclaimed version of the ballet, with an all- male corps of swans. It's no cross-dressing stunt but a visually luscious and dramatically convincing reinterpretation. Will the Tonys notice...

Author: /time Magazine | Title: The Best Of 1998 Theater | 12/21/1998 | See Source »

...addition to Singh the other founders of Icon are Darryl Li '01, Swan Sit '99-'00 and Maryanthe E. Malliaris '01, who is also a Crimson executive...

Author: By Daniel A. Zweifach, CONTRIBUTING WRITER | Title: Icon Magazine Debuts | 12/9/1998 | See Source »

...three pas de deux that followed--the grand pas de deux from Act III of Swan Lake, the pas de deux from Act II of Le Corsaire, and the pas de deux from Act I of Romeo and Juliet--showed off the technical prowess of ABT's dancers...

Author: By Christiana Briggs, CONTRIBUTING WRITER | Title: American Ballet Theater: Footloose And `Fancy Free | 11/20/1998 | See Source »

...Black Swan pas de deux from Swan Lake was performed by principal dancer Paloma Herrera and soloist Giuseppe Picone. Traditionally a variation based upon technical strength and cool betrayal, the ballet did not disappoint the audience. Paloma is young, strong, has gorgeous feet and is technically superb. She does however have a certain stiffness in her dancing which should leave as she becomes more mature and gains more artistry. Her expression of haughty self-confidence was perfect for the role of the black swan. Her partner, soloist Giuseppe Picone, was also technically amazing. Both dancers had high and effortless jumps...

Author: By Christiana Briggs, CONTRIBUTING WRITER | Title: American Ballet Theater: Footloose And `Fancy Free | 11/20/1998 | See Source »

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