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...ensuing week is singularly lacking in musical events. The Boston Symphony is on tour, treating New York with the latest Berg Violin Concerto which Dr. Koassevitzky presented here last week-end, and Symphony Hall will be empty except for Sunday afternoon when Gladys Swarthout, mezzo-soprano of opera, radio, and motion picture fame, will give a recital...

Author: NO WRITER ATTRIBUTED | Title: The Music Box | 3/11/1937 | See Source »

...forest whose birds stop twittering to listen. At her husband's country lodge, complying with the new convention whereby Metropolitan Opera stars show cinema patrons how jolly and unpretentious they really are by breaking into jazz, Miss Moore rivals the recent efforts of Lily Pons and Gladys Swarthout by moaning an expurgated version of "Minnie the Moocher" while attired in a flannel shirt and trousers. This is the comic climax of the picture. It is followed by the formal climax in which, at a song festival in which she is appearing as a gesture of loyalty to an orchestra...

Author: /time Magazine | Title: Cinema: The New Pictures: Mar. 1, 1937 | 3/1/1937 | See Source »

Champagne Waltz (Paramount). The perennial and expensive effort to make a Grace Moore out of Gladys Swarthout seemed to have more logic some time ago when Miss Moore was a more important box-office draw. This version of the endeavor is a heavy-footed musical naively designed to combine the best features of jazz with those of the Viennese waltz. It concerns one Buzzy Bellew (Fred MacMurray), leader of a swing band which, reaching Vienna in a continental tour, ruins the business of the Franz & Elsa Strauss Waltz Palace. In the U. S. consulate, Elsa (Gladys Swarthout), who has gone...

Author: /time Magazine | Title: Cinema: The New Pictures: Jan. 25, 1937 | 1/25/1937 | See Source »

With an appealing tremble of her lower jaw, Miss Swarthout, smartly dressed, sings several songs. None of them is notable. Whatever merits Champagne Waltz possesses are dependent on the well-seasoned comic abilities of Jack Oakie, cast as Happy Gallagher, manager of the band. Badly befuddled by the ways of Europeans, Gallagher wanders through elaborate settings making remarks like "60 feet away you can't tell them apart and 60 days later you don't care. . . . All women drive you screwy except your mother and she drove your old man screwy." Best musical number: dream sequence of Johann...

Author: /time Magazine | Title: Cinema: The New Pictures: Jan. 25, 1937 | 1/25/1937 | See Source »

...American Guild of Musical Artists' first public gesture apparently made a favorable impression on the Immigration Committee. Probably the only trade association ever formed on a fairway, the Guild was born when Baritones Tibbett and Frank Chapman, Gladys Swarthout's husband, went to Englewood, N. J. for a golfing holiday in 1933, spent their time talking musical politics and economy instead. Formally launched last April, the Guild has 115 charter members whose names, accustomed to appear in electric lights, include: Jascha Heifetz, Efrem Zimbalist, Alma Gluck, Lily Pons, Rosa Ponselle, Mischa Elman, Lucrezia Bori, George Gershwin, Grace Moore...

Author: /time Magazine | Title: Music: For Major Leaguers | 6/8/1936 | See Source »

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