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Rose of the Rancho (Paramount). As a vehicle for the cinema debut of Contralto Gladys Swarthout, a revival of David Belasco's famed stage success recommended itself for obvious reasons. Born of U. S. parents and reared in Deep Water, Mo., Miss Swarthout has a Latin appearance well suited to a rigmarole about Spaniards in California and their efforts to hold their ancestral estates against early land-grabbers. Furthermore, the dual roles of Rosita Castro and Don Carlos, masked leader of the Spanish vigilantes, enable her to maintain a tradition which she inaugurated at the Metropolitan Opera...

Author: /time Magazine | Title: Cinema: The New Pictures: Jan. 13, 1936 | 1/13/1936 | See Source »

...Gladys Swarthout made her debut at the age of 13 at a school recital. The audience included wealthy Kansas City friends who offered to finance her musical education. Thereafter she was a soloist in a Kansas City church, a student at the Bush Conservatory in Chicago where she also sang in Balaban & Katz theatres, a soloist with the Minneapolis Symphony, a minor member of the Chicago Civic Opera Company. After a summer in Europe and three seasons with the Ravinia Opera Company in the U. S., she joined the Metropolitan in 1929, made her debut as the blind mother...

Author: /time Magazine | Title: Cinema: The New Pictures: Jan. 13, 1936 | 1/13/1936 | See Source »

...strength of her London success and her box-office power Cinemactress Grace Moore has been re-engaged. Pretty Helen Jepson will be given more leading roles than she had last season. Outstanding contraltos are Karin Branzell, Doris Doe, Gladys Swarthout, Cyrena Van Gordon, Rose Bampton, Kathryn Meisle and Marion Telva, who has been badly missed since she left the Metropolitan in 1931. Outstanding tenors: Lauritz Melchior, Paul Althouse, Giovanni Martinelli. Charles Hackett. Nino Martini. The baritones: Lawrence Tibbett, John Charles Thomas, Friedrich Schorr, Richard Bonelli. The bassos: Ezio Pinza, Ludwig Hofmann, Emanuel List, Leon Rothier...

Author: /time Magazine | Title: Music: New Era | 12/23/1935 | See Source »

Since the Metropolitan's public has always been notably conscious of performers rather than performances, Mr. Johnson's hope was safely backlogged by the fact that he has managed to re-engage the following "stars": Lawrence Tibbett, Gladys Swarthout, Lily Pons, Lotte Lehmann, Rosa Ponselle, Kirsten Flagstad, Lauritz Melchior. The roster of singers hired up to last week totalled 62, of whom 30 are U. S.-born...

Author: /time Magazine | Title: Music: Setting Stars? | 8/19/1935 | See Source »

Wrestling Bradford should have married Plentiful Tewke. Her father, Praise-God Tewke, told him so in the first act, set in front of a log-cabin church. But Plentiful (Contralto Gladys Swarthout) wanted to take a maiden's time and Wrestling was impatient. Pretty Marigold Sandys (Goeta Ljungberg) came to Quincy with the giddy Cavaliers. They were bent on building a Maypole, dancing on the Holy Sabbath, an offense not half so shocking to Wrestling Bradford as the fact that Marigold intended to marry Sir Gower Lackland (Tenor Edward Johnson). The wedding was half over when Wrestling strode grimly...

Author: /time Magazine | Title: Music: Native No. 15 | 2/19/1934 | See Source »

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