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Brassiere: "In America something strange has happened. A man will turn his head, or whistle, if that is his fashion, on seeing an obvious contraption, a clearly outlined steel construction under a dress or, even worse, a sweater. This is rather touching and only proves what an idealist...

Author: /time Magazine | Title: Books: Mother Goddam | 8/17/1962 | See Source »

Anyone who believes this will cherish the rest of this movie. Since Kid Galahad is Elvis Presley, he has trouble lifting his eyelids, let alone eight-ounce gloves. Except for Joan Blackman's sweater, there is precious little to open anyone's eyes in this re-botch of the 1937 movie about the seamy side of the fight game. Between bouts, Presley Elviscerates a few helpless songs, moos over Joan, and twists like Little Egypt. Gig Young as a blarneying promoter and Lola Albright as his "fiancée" try to beat some brains into the picture...

Author: /time Magazine | Title: Cinema: Jelloweight | 8/3/1962 | See Source »

...Real Struggle." No dandy, Beaumont likes to wear a sweater and crumpled slacks. His nails are grimy, and a shoelace is often untied. He gives heavily but anonymously to charity and is quite unembarrassed by his wealth. "My chief job as a Christian is to use my money wisely," he says. "Having lots of money and a big house like this can be very useful, you know, and it is the inner life that really matters. It is there that the real struggle must take place...

Author: /time Magazine | Title: Religion: Mayfair Ministei | 7/13/1962 | See Source »

...each, despite the fact that Pringle tries to hold the price to more than twice as much by refusing to sell to discounters. How did Korvette's get the cardigans? Pringle tracked them back through at least two intermediaries: Pringle had sold them to a manufacturer of sweater linings, who had sold them to a manufacturer of fur collars, who then presumably sold them to Korvette...

Author: /time Magazine | Title: Retailing: Everybody Loves a Bargain | 7/6/1962 | See Source »

...Broadway this season is the lithesome legs of Noelle Adam, who dances in and out of Richard Rodgers' in-Paris-and-in-love musical, No Strings, in the role of a cheerfully chased photographer's assistant. A onetime ballerina, Mile. Adam scampers about in a baggy sweater that sets off a leotard hardly big enough to cover a Persian cat, blithely displaying the charms that her tutu used to hide...

Author: /time Magazine | Title: Broadway: No Skirt | 3/30/1962 | See Source »

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