Word: sweaters
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Dates: during 1940-1949
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...problems like these bothered factory managers a year ago. But now, perhaps, a very shapely sweater girl wanders in to take her place in the swing shift. Low whistles follow her as she ambles down the aisle between machines. But a few minutes later a grey-haired factory chaperon catches her in the ladies' room. The chaperon is tactful (workers are hard to get). She admires the sweater girl's figure but says it would be a shame if because of her some man lost a hand under a punch press. Next night the girl comes back...
...When Sweater Girl Lana Turner made a sales trip to San Francisco's Treasure Island Naval Base, workers hoisted her to a platform, where she hoisted sales...
Though less intriguing than its title, the second picture, "Sweater Girl," is an improvement on the feature. Mixing some really tense melodrama with Eddie Bracken's best, it comes through with a story that keeps the audience moderately jittery for nearly an hour. Two murders on a college campus are the basis for this murder mystery which conceals the villain's identity in the best Nick Carter style, while befuddling the audience with slapstick. Neither picture will be accused of belonging to the year's top ten, and they aren't too far from the bottom...
...Castle Ashby, the many-acred estate of the sixth Marquess of Northampton. The girl's name was Virginia Lucie Heaton. She was 22, and she tucked spring flowers in her dark hair when she went into the fields. Even her sack-bottomed corduroy trousers, her straw-snagged sweater and her crushed hunting cap could not hide the fact that she was slim and pretty...
...accuse poor Mr. DeMille of doing its casting; thirty minutes of this opus will convince anyone that its parts were dished out by either the neighborhood horsedoctor or Mickey Rooney. Paulette Goddard, whom we recall quite pleasantly as a sweater-girl from her native Bronx, is made-up into a Southern belle with absolutely ghastly effect. John Wayne plays the dumb-but-honest-lug-who-goes-wrong--a part admirably in-harmony with his facial expressions; and Ray Milland, completing the triangle, is thoroughly helpless with lines that no Booth could have carried...