Word: sweaters
(lookup in dictionary)
(lookup stats)
Dates: during 1970-1979
Sort By: most recent first
(reverse)
Senior Yearbooks from the early days of the Pusey era frequently contain pictures of the new president, his hair not yet grey, and often wearing a casual looking sweater under his tweed jacket, sipping sherry with undergraduates. In those days, he was still the hero of American academics, the man who had fought the right wing demon and defeated him. The Faculty of Arts and Sciences commended him in an unusual resolution, and he was featured on an Omnibus program. His door was still open to the press, which heaped him with praise...
...film makers. Some of the results are nothing short of smashing, witness Emanuel Ungaro's idea of Andy Warhol: a floor-length cape punctured by hundreds of holes with plastic spheres swinging in the openings. Or from Lanvin, the dramatic Pier Paolo Pasolini creation: a black sweater that takes a breast-baring plunge to the waist, with bold-patterned Zouave pants. For the sensual part, Moreau had Henri Cartie-Bresson photograph five of her favorite men, then ran the pictures opposite blowups of the precise segments of a woman's body that most attracts each of them. There...
...ridiculous, embarrassing, anachronistic, and stuffy...have I said enough?...It's the business of the Faculty members to decide how to dress. All of us have been in the awkward position of bringing a guest who isn't wearing a coat-and-tie to the Club. How about a sweater instead? And what about the ladies? Are we going to start telling them what to wear...
...heroin; he is impotent. Among those he unfulfills: a go-go dancer (Geri Miller), a sex-parched housewife (Andrea Feld-man), and last and by every means least, a raucous female impersonator named Holly (Holly Woodlawn). In the film's climactic scene, Holly stuffs a pillow under its sweater, feigning pregnancy to con an uptight, upright social worker out of welfare money. Those who can respect Trash will hasten Warhol & Co. to their ultimate alchemy, the recovery of gold from garbage. Stefan Kanfer
...even if not always, progressive. The design of each successful sequence reveals itself- Godard's way of presenting material creates its own self-criticism. Juliette Berto, for example, turns at one point to the camera to tell us, "I'm eighty-four . . . thirty-three feet six inches tall . . . my sweater [which we see as blue] is yellow." Either the sound or the image is lying; will we ever again trust the statements of men speaking on TV? She recommences: "I'm twenty . . ." "That's obvious," interrupts Leaud, offscreen, for us. "Yes," she replies, "but imagine de Gaulle talking to students...