Word: sweeney
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...Paul's/Lake Forest, II. John Murphy C So. 5-11/175 St. Michael's/Toronto, Ont. Jerry Pawloski D Sr. 5-11/185 Northville /Northville, Mi. Brian Popiel D So. 5-9/165 F.W. Collegiate/Thunder Bay, Ont. Ed Presz F Jr. 6-0/175 Minnechaug Reg./Wilbraham, Ma. Don Sweeney D Sr. 5-10/185 St. Paul's/St. Stephen, N.B. Craig Taucher F Jr. 5-8/150 U. Detroit/Troy, Mi. Michael Vukonich F Fr. 6-1/185 Denfeld/Dul uth, Mn. John Weisbrod F Fr. 6-1/185 Choate/Wood bury, N.Y. C. J. Young F So. 5-10/175 Belmont Hill/Waban...
...Bourbeau 33 23 34 57 23 46 Tim Barakett 34 25 29 54 6 12 Randy Taylor 34 3 35 38 11 30 Mark Benning 31 3 29 32 15 30 #C.J. Young 34 17 12 29 15 30 #Steve Armstrong 34 11 15 26 18 3 6 #Don Sweeney 34 7 14 21 11 22 Peter Chiarelli 34 8 7 15 153 0 #Tod Hartje 34 3 9 12 14 36 Ed Krayer 14 2 9 11 2 4 #Josh Caplan 32 1 10 11 12 24 #John Murphy 34 3 6 9 5 10 Nick Carone...
...Porter really were to lend approval, it would be chiefly for Patti LuPone. As Nightclub Belter Reno Sweeney, she rivals the role's originator, Ethel Merman, in volume and clarity of voice, and far outdoes her in intelligence and heart. CoStar Howard McGillin has shirt-ad looks, puppyish charm and a lilting tenor. Other delights: Tony Walton's Art Deco ocean-liner set, Paul Gallo's seascape lighting and Michael Smuin's crisp choreography. The supporting cast is mostly ordinary, and Kathleen Mahony-Bennett's oomphless ingenue is not even that. The book, by P.G. Wodehouse and Guy Bolton...
...vital and communicative as it was 300 years ago in Renaissance Florence. The label for this art form -- originally opera, operetta, musical, even Broadway show latterly -- matters not. Nor does the increasingly arbitrary distinction between high art and pop culture: Stephen Sondheim's Pacific Overtures and Sweeney Todd, for example, have joined Gershwin's Porgy and Bess in the repertoires of English and American opera companies. It is a truth that the Viennese, who have always made room on their stage for both opera and operetta, have long understood: art is no respecter of venue...
...Wilma Sweeney...