Word: sweetback
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...world view to their antipodes--militant groups like the Black Panthers. Blaxploitation didn't have a dream; it had a shotgun. And if many of its heroes were pimps and pushers, at least they could do the pushing without getting punished for it onscreen. Melvin van Peebles' Sweet Sweetback's BaadAsssss Song (1971)--"Rated X by an all-white jury," bragged the poster--stunned audiences simply by showing a strong black man who fought, had explicit sex and tangled with white cops, yet didn't get killed for it by the end of the movie. Blaxploitation's heroes...
...world view to their antipodes - militant groups like the Black Panthers. Blaxploitation didn't have a dream; it had a shotgun. And if many of its heroes were pimps and pushers, at least they could do the pushing without getting punished for it onscreen. Melvin van Peebles' Sweet Sweetback's BaadAsssss Song (1971) - "Rated X by an all-white jury," bragged the poster - stunned audiences simply by showing a strong black man who fought, had explicit sex and tangled with white cops, yet didn't get killed for it by the end of the movie. Blaxploitation's heroes...
Gender, sexism and homophobia are themes of the class, which compares works ranging from Sweet Sweetback's "Baadassss Song" to Menace II Society...
Panther, the new film directed by Mario Van Peebles (New Jack City) from a screenplay by his father Melvin (Sweet Sweetback's Baadasssss Song), is indeed a movie: an earnest, naive, fitfully engrossing film with urgent performances and a final plot twist that stretches credulity to the snapping point. But because the subject is the Black Panther Party for Self Defense-the notorious cadre of black radicals that incited and attracted much of the '60s edgiest violence-Panther is more than a movie. It's the cause of raucous dispute, a chance for opening and licking old wounds about...
...Abbey Lincoln, a film portraying the difficulties of family life in the segregated South. The well-developed characters showed that stories about African-Americans could be done without reducing the complexity of their lives to easy formulas. As the glitter-ridden elevator-shoed '70s dawned, the seminal "Sweet Sweetback's Baadasssss Song" sparked what would become the Blaxploitation era of filmmaking. Since then, Black film has gone on to be characterized by mainstream stars such as Bill Cosby, Richard Pryor and Eddie Murphy and more recently by independent filmmakers such as Charles Burnett, Spike Lee, Ernest Dickerson, Julie Dash, John...