Word: sweete
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Dates: during 1940-1949
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When slim, brown-haired Martha Lucas took over the presidency of Virginia's Sweet Briar College for women in 1946, she announced that she would "promote world awareness in every possible way." She planned new instruction "on the Orient, Russia, South America," a broad curriculum which would include "the intellectual experience of the whole of mankind." Sweet Briar soon learned that President Lucas was a woman deeply concerned about the world...
...students she brought lecturers of every nationality. She organized an annual UNESCO day, started forums on international problems, packed juniors off for a year of study abroad. Sweet Briar, founded as a ladies' seminary, came alive with international chatter. On bridle paths and under the colonnades, Sweet Briar girls talked long and earnestly about the state of the universe. President Lucas herself often joined in their discussions...
...composer has worked into this a ball with many Southern belles and several appearances of singing and playing Negroes. In general the music effectively increases the tension, though, with a lack of variation in the first act which is exasperating. Many of the arias, particularly those of the sweet, flighty Birdie, are genuine mood pieces, effectively incorporating devices for a Southern flavor. Yet the music lacks the consistency of, say, "Peter Grimes," so that the total effect is one of Blitzstein rather than the South. This is particularly true of the music used by the Negro group. Two of their...
Divorced. Jimmy Dorsey, 45, sweet-and-swing saxophone-playing bandleader; by Jane Porter Dorsey, 39, (her complaint: "If anyone brought records by some other musician into the house, [Jimmy] would smash them"); after 21 years of marriage; in Los Angeles...
...daring to suggest that some Negroes may be villains-and some white Southerners decent men-Pinky will annoy those who insist on their propaganda with easy good & evil labels. Anyone who is determined to look for the cliches of antidiscrimination propaganda might charge that the sour-sweet old plantation owner (Ethel Barrymore) is a "symbol" of white paternalism and the Ethel Waters role a "symbol" of Aunt Jemimaism. But Pinky is the most skillful type of propaganda: in avoiding crude and conventional labeling, it leaves a strong impression that racial discrimination is not only unreasonable but evil...