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...President is a compelling presence in this book, as he was in Woodward's last. He fairly leaps off the page, brisk and unflappable. It is difficult to know how accurate this portrait is, and how much of it consists of sweet nothings whispered into the author's ear by loyal retainers. I suspect the Woody Allen and Joe Public stories are true. They are moments when the curtain of platitudes is parted and the quality of Bush's sensibility is revealed. I also suspect the larger picture-the world as seen from the West Wing bunker-is distressingly accurate...

Author: /time Magazine | Title: Does Bush Really Get Us? | 4/25/2004 | See Source »

...Burning Down the House,” Jenna’s wish comes true. Jenna Rink, now played by the fabulously lithe, Alias star Jennifer Garner, wakes up in possession of a Fifth Avenue apartment, a hunky hockey playing bed buddy who calls her “sweet bottom,” and a drawer full of B-cup bras that she can fill out without the help of a wad of quilted Charmin two-ply. This Jenna shops at Henri Bendel, drinks non-virgin Pina Coladas, organizes her files with Lisa Frank unicorn emblazoned folders, and knows the dance...

Author: By Lisa M. Puskarcik, CRIMSON STAFF WRITER | Title: Film Review: 13 Going on 30 | 4/23/2004 | See Source »

...Hoyas made the Sweet 16 before falling to eventual West Regional champion Maryland...

Author: NO WRITER ATTRIBUTED | Title: KING JAMES BIBLE: Right Coach, Right Position | 4/23/2004 | See Source »

...Stockholm Syndrome” is blow-you-away intense and “Falling Away with You,” like “Unintended,” is sweet and gentle, and gracefully falls into a 30 second “Interlude.” When the vocals come in during “Hysteria,” there is an overwhelming aching feeling that is augmented by the stunning background music...

Author: NO WRITER ATTRIBUTED | Title: New Music | 4/23/2004 | See Source »

...Coen brothers’ limp remake of a classic Alec Guinness comedy has its occasional laughs, but ends up becoming boring in its pursuit of essentially sweet comedy. Tom Hanks is the leader of a gang of robbers forced to masquerade as a band in order to rent church-lady Irma P. Hall’s basement because it connects to the basement of their target. Although the Coens’ affection for southern tradition is sweet and the manic third act brings things up a notch, it isn’t enough to save this essentially mediocre film...

Author: NO WRITER ATTRIBUTED | Title: NO HEADLINE | 4/23/2004 | See Source »

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