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...makes you happy..."? Crow shaped the songs on her first two albums around these sing-along lyrics and a host of fictional characters, relating anecdotes about a promiscuous neighbor in "Oh Marie," a bored and nosy bar chick in "All I Wanna Do" and a struggling working-girl in "Sweet Rosalyn...

Author: By Joseph F. Cooper, CONTRIBUTING WRITER | Title: 'Sessions' Not Much Fun, but Crafted Crow | 10/16/1998 | See Source »

...Backstreet Boys play games with your heart? What about 'N Sync--are they tearin' up your heart? Are you still hangin' tough with the NKOTB? If you answered yes to any of the above questions, you need to (a) shut off "Dawson's Creek," finish the latest Sweet Valley High novel and get into therapy, and (b) book it over to Davis Square for the Beatlemania tribute. Celebrate the Fab Four that paved the way for all your fave guy groups, and pick up a CD your roommates can tolerate on the way. 8 p.m., Somerville Theatre, 55 Davis Square...

Author: By Sara Reistad-long, | Title: LISTINGS | 10/15/1998 | See Source »

SHANE SPENCER Young Yank out-homering Big Mac. An immortal? Who cares? This is a sweet spot in time...

Author: /time Magazine | Title: Notebook: Oct. 12, 1998 | 10/12/1998 | See Source »

...Thieves's "Everything I Do [I Do it For You]," Don Juan DeMarco's "[Have You Ever] Really Loved a Woman?"), these Love Songs dominate radio play-lists and often surpass their related movies in popularity. Indeed, how many of last year's senior proms were perfumed by the sweet mourning of the Goo Dolls' "Iris." featured in City of Angels? "And all I can taste is this moment/And all I can breathe is your life"--lyrics such as these, occasionally punctuated by the sad twang of a mandolin, combined to make "Iris" the Love Song of Summer 1998. Perhaps...

Author: By Frankie J. Petrosino, CONTRIBUTING WRITER | Title: 'Girl' a Strangely Upbeat Torture | 10/9/1998 | See Source »

...articulation of the coexistence of radiant love and its passing. Betrayals and reconciliations, obsessions and evasions coincide in the same words and while a song may express the despair of heartache, the music exposes the allure of it as well. The grief is unbearable but its melody is so sweet, so fragile, Bacharach and Costello seem to wonder who can live without it. Like love itself, of course, no one can. As in these desolate and beautiful stories, Painted from Memory suggests, we too may linger on the comforting ache of love remembered, complicit in our own exquisite misery. Misery...

Author: By Jared S. White, CONTRIBUTING WRITER | Title: They're What the World Needs Now | 10/9/1998 | See Source »

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