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Married. Jimmy McLarnin, 28, twice Welterweight Boxing Champion of the World; and Lillian Cupi,. Vancouver schoolteacher, his childhood sweetheart; in Vancouver...

Author: /time Magazine | Title: Milestones, Jul. 22, 1935 | 7/22/1935 | See Source »

...Everest (Claudette Colbert) in Private Worlds, Mary White (Ann Harding) in this picture is baffled when her own life presents the sort of symptoms she is accustomed to deal with in her patients. Having healed the suicide fits of an heiress (Maureen O'Sullivan) by treating her sweetheart (Louis Hayward) for advanced dipsomania, she finds her maternal instincts for the latter in a state of overstimulation. Her confrère (Herbert Marshall) convinces her that what she mistakes for Love is merely spiritual chicken pox. This is the climax...

Author: /time Magazine | Title: Cinema: The New Pictures: Jun. 10, 1935 | 6/10/1935 | See Source »

...Road, turned into Denmark Street (equivalent of Manhattan's Tin-Pan Alley), sought out a publisher who might be sympathetic. The young man had a tune to sell. He played it on the piano; the publisher asked its name. Ray Noble thought quickly. "Why, call it 'Goodnight, Sweetheart,' " he said. Thereupon Ray Noble's own name was made...

Author: /time Magazine | Title: Music: British Bandman | 6/10/1935 | See Source »

...attention to quiet Ray Noble, no ordinary, illiterate, catchpenny songwriter but the well-mannered son of a well-to-do London neurologist and a nephew of T. Tertius Noble, the venerated organist of St. Thomas' Episcopal Church in Manhattan. Organist Noble has never been known to hum "Goodnight, Sweetheart." Nor has he ever met his nephew, famed now for having turned out some of the best dance records in England. But only three blocks away from St. Thomas' last week, Ray Noble began a job which any young musician might envy. He undertook a long-time engagement...

Author: /time Magazine | Title: Music: British Bandman | 6/10/1935 | See Source »

...exceptions, he has made the arrangements himself. And they are all smoothly polished, all rich in counterpoint, most of them sweet, none sissy. Many of his introductions are almost symphonic. Yet Noble never forgets that he plays for dancing and his rhythm never flags. Even "Goodnight, Sweetheart" is a sturdy swinging tune when Ray Noble plays...

Author: /time Magazine | Title: Music: British Bandman | 6/10/1935 | See Source »

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