Word: sweeting
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...interpreted this as meaning that the Queen’s Head was able to attract a diverse cross-section of students.” Pub Manager Scott C. Smider ’01 said many attendees echoed this sentiment throughout the night. “It was pretty sweet to hear and I have to agree with it. The mood overall was just awesome,” Smider said. “This is something my classmates were saying we needed years ago and we wished it could’ve been there for us.” Corker?...
...some tough races the second day, but knowing Roberta and Lauren did well took the pressure off of us.”All four of the regatta’s competitors were also named to the women’s All-New England team, which proved especially sweet for Dahlman, who recently returned to the water after missing time due to a shoulder injury.“She performed above and beyond what we expected,” Watson said.MORRIS TROPHYBoston University hosted the fourth annual Morris Trophy on Saturday and Sunday, where the Crimson came away with sixth-place...
...steal it from a witch who lives next door (as related by several musical numbers). In exchange for the spice, this witch—played marvelously by Karol W. Malik ’08—forces Martinius to give up his firstborn, who grows up to be the sweet-voiced Rapunzel (Caroline A. Jennings ’09). Rapunzel is locked in a tower that can only be accessed by climbing her hair, a prince (Firth M. McEachern ’08) arrives and becomes determined to free her, and the rest is fairy-tale history...
...first time in 2007, both Radcliffe crews had home-river advantage, racing together on the Charles on Saturday. And the homecoming was a sweet one for both squads. The lightweights, coming off a strong third-place showing at the Knecht Cup last weekend, dominated Boston rival and seventh-ranked MIT, winning three of four races on the river. The win was highlighted by an 18-second victory for the varisty eight and an astounding 42-second thumping of the Engineers by the novice eight, which remains undefeated through the first four races of this spring season. The heavyweights posted...
It’s hard to make up one’s mind about Bright Eyes’ new album “Cassadaga.” Frontman Conor Oberst writes with an ear for lyrical subtleties, and he just seems so helpless and sweet with that delicate voice of his that it’s hard to hate him. But though this album may be more mature—and country—than previous Bright Eyes records, it’s hard to reconcile Oberst’s explorations of mortality, love, and time with his occasional...