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Word: sweetness (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...SWEET EROS and WITNESS. Nudity is the theatrical vogue at the moment, and in the first of these two one-acters. Playwright Terrence McNally has his psychopathic hero strip Sally Kirkland to the buff and keep her that way. The second and better play is a caustic, comic look at a U.S. where feelings of impotence and venomous frustration translate themselves into the assassination of Presidents...

Author: /time Magazine | Title: Television: Dec. 13, 1968 | 12/13/1968 | See Source »

Unless one happens to be a voyeur, it is sexier to imagine plays with nudes than to actually see them. Sweet Eros is no exception to this rule, even though the naked girl (Sally Kirkland) in this off-Broadway one-acter by Terrence Mc-Nally is on view for almost an hour. The skin show is more abstract than erotic, and terribly sedate. The girl is bound to a chair and gagged most of the time, and initially clothed. Possibly the most exciting scene in this distinctly lethargic drama is the one in which she is undressed by her captor...

Author: /time Magazine | Title: Theater: Nudes and Nihilism | 11/29/1968 | See Source »

...Yale concert. The Yale group began with a thin version of Palestrina's Supplicationes for main chorus and responsive small choir (which joined me in the Tibetan heights of the upper balcony) and proceeded to good performances of Holst's delightful Blacksmith Song and Dowland's beautiful Come Again, Sweet Love. Their part closed with a stupendously tedious arrangement by Fenno Heath of Donne's Death Be Not Proud. The Harvard Glee Club performed a less interesting program except for a mildly "modern" work by Thomas Beveridge. The Harvard group had a darker sound than Yale, better dynamic control, weaker...

Author: By Chris Rotchester, | Title: Zarathustra | 11/25/1968 | See Source »

...Sweet and Sour...

Author: /time Magazine | Title: Letters: Nov. 22, 1968 | 11/22/1968 | See Source »

...simple platform of fukki, meaning literally "return again," or reunion with Japan at once. His conservative opponent, Junji Nishime, called for ittaika, literally "making one body," or reunion with Japan in a more gradual fashion that would not plunge prospering Okinawans back to a "barefoot existence and sweet-potato diet." In the noisiest campaign in Okinawa's history, Nishime came off second best. When he cornered Yara in a television debate on the economic consequences of U.S. withdrawal (U.S. spending accounts for half the island's G.N.P.), voters were only offended at his disrespect for the opponent...

Author: /time Magazine | Title: Ryukyu Islands: Approaching Deadline | 11/22/1968 | See Source »

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