Word: sweetnesses
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...sweet sentiment, which is echoed in the closing moments of the new Australian film Strange Bedfellows. On the stage at a country firemen's ball, sexagenarian mechanic Ralph Williams (Michael Caton) professes his love for local projectionist Vince Hopgood (Paul Hogan). Whether it's more than platonic he refuses to tell. Judge us as people first, he says. To the other townsfolk of Yackandandah, he and Vince have been sending out mixed messages. Hitherto heterosexual, a widower and divorc? respectively, they've shacked up together and been spied draping their lounge room in rainbow flags and befriending the local hairdresser...
...Ripley is too much money and no taste,” within Ripley’s range of hearing. In return, Ripley decides to play a game. Can he kill two birds with one stone: take revenge against Trevanny and aid Reeves simultaneously by turning Jonathon—a sweet family man devoted to his beautiful wife and young son—into Reeves’ assassin...
Although this is not a title you’d normally associate with humor, Lone Scherfig’s Sweedish film is a dryly sweet comedy. Harbour and Wilbur have inherited their father’s used book store and Harbour has inherited the task of taking care of his suicidally depressed younger brother. One day, Alice and her young daughter Mary walk into the book shop and sparks fly. Soon, a romantic quadrangle develops and this man who has never liked life learns to love...
...Reed’s new live album opens with three casually strummed chords from “Sweet Jane” and a message to young bands: “I thought I would explain to you how you make a career out of three chords...
He’s right. It could be a more interesting version of any modern emo song. Reed then plays all four bars of the riff from “Sweet Jane” and notes that, “as in most things in life, it’s that little hop at the end.” And with that, we’re in Lou Reed’s special world, where there will always be that little hop that changed modern rock forever—the astonishing...