Word: sweets
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Dates: during 1960-1969
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...SWEET CHARITY. In this musical, Gwen Verdon proves that she is still the dancer assolnta of the U.S. stage. Bob Fosse's choreography is wry and witty and winning, but the book, written by Neil Simon, is consistently stale, as if he had heard rather than written the gags...
...last minute, he simply went to the conference table and sweet-talked the union leaders into accepting the wage ceiling (with a few minor fringe benefits thrown...
DELIUS: SONGS OF FAREWELL (Angel). "How sweet the silent backward tracings!" Walt Whitman's verses begin. Delius was blind when he wrote this tone poem for double chorus and orchestra, with its sliding harmonies complex in texture yet as delicate as sighs. Sir Malcolm Sargent conducts the Royal Philharmonic Orchestra and the Royal Choral Society...
...Sweet Charity. Gwen Verdon is the dancer assoluta of the U.S. musical stage. She moves to the impulsive music of instinct as a child laughs and a dolphin leaps. She is Terpsichore's darling and yet fortune's foil. She is a wistful waif out of a Chaplin two-reeler, a Broadway gamin skipping along the harsh pavements of defeat with perky gallantry, one of nature's eternally winning losers. Verdon is verdant, and it is lucky that all is well with her, for all is not so well with her musical...
...baptism of vaudeville's fabled Palace as a legitimate Broadway theater house, Sweet Charity is scarcely memorable, but its first dancer and all its dances are just dandy...