Word: sweets
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Dates: during 1960-1969
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...Hush . . . Hush, Sweet Charlotte
...collected more than 1,000 songs by the time of his extensive concert tours in the '30s and '40s, when these ballads (including Mary Hamilton, The Ballad of Barberry Ellen) were recorded. Niles weaves a strange, anachronistic spell as he sings them in a high, sweet voice, strumming a homemade dulcimer...
...each one a pleasure to the eye and ear. As Polly, Catherine Winn makes her debut in Harvard drama, and she is a welcome addition. She possesses that rare combination of first-rate acting ability and a beautiful lyric soprano, and she knows how to balance the two. Her sweet, artless Polly could soften even the hardest highwayman's heart, and we easily understand Macheath's impetuous marriage vows...
HUSH . . . HUSH, SWEET CHARLOTTE. Four durable movie queens (Bette Davis, Olivia de Havilland, Agnes Moorehead, Mary Astor) turn a lushly photographed thriller into frightful fun, though the horrors provided by Producer-Director Robert Aldrich (What Ever Happened to Baby Jane?) are mostly formula...
Aili Paal as Conny, the youngest of the spiderish triumvirate intent on consuming Wake, is a sweet-faced leering, strutting, impish, delightful horror. Her mimicry of Jean's war story is hilarious. Her mother Elizabeth, played by Diana Allen, is an equally fine variation on the French sex-killer archetype. Together, they crawl all over Wake like a pair of black widows. Jaimie Rosenthal, as Mme. Rene, skillfully portrays a more mellow arachnid, whose venomous charm has degenerated into mere tittering...