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...Start with safer cars: most vehicles now have air bags and anti-lock brakes. Autos are harder to steal too--newer models have security systems that disable the engine when you take the key out. Stiffened penalties have curbed drunk driving. And baby boomers have moved into the demographic sweet spot for cautious driving. Motorists ages 40 to 59 have a lower rate of traffic deaths than any other group...

Author: /time Magazine | Title: Driving a Bargain | 5/24/1999 | See Source »

...influence of women. Some, like Schupf, inherited their money, and a growing number earned it. But women in both camps are demanding more attention to their favorite causes and more influence over exactly how their donations are spent. Gone are the days when women's philanthropy referred only to sweet dears who ran the school auction or gussied up for the charity ball...

Author: /time Magazine | Title: The Power of the Purse | 5/17/1999 | See Source »

Platinum is a sweet, glamorous indulgence--like eating fancy chocolates before bedtime. Ross's achingly good performance gives the movie an emotional core. There's a well-acted scene in which Ross's character is asked if she has any regrets. Are there any choices in Ross's long career that she would, in retrospect, like to change? Her answer is immediate: "No." Hollywood should have the regrets...

Author: /time Magazine | Title: Television: Stop! In the Name of Divas | 5/17/1999 | See Source »

Brandy wants mature stardom. "I have a crazy side to me, people don't know," she says. One is sure of her sincerity but unconvinced of her veracity: Brandy comes across, at all times, as sweet as a side order of candied yams. She continues, "I wanted to be in [the urban action film] Set It Off so bad, I wanted to rob a bank so bad ..." One tries to picture Brandy with a firearm. It's difficult. One tries to picture Tipper Gore with an AK-47. That's easier. Brandy keeps going: "I was a happy little girl...

Author: /time Magazine | Title: Television: Stop! In the Name of Divas | 5/17/1999 | See Source »

Although the ballet is rife with the elaborate costumes, sets and special effects we have come to expect with Disneyesque productions, the inherent integrity of the dancing, Liszt's music and the gothic tale itself do not let the ballet become a sticky-sweet morality tale in the style of Beauty and the Beast. It is an odd mixture, to be sure--appealing more to those accustomed to home-videos of rhythmically-inclined crustaceans than those with box seats already lined up for next year's Firebird. And while Dracula proves to be an exciting show, it is just that...

Author: By Christina B. Rosenberger, CRIMSON STAFF WRITER | Title: Disney Meets the Boston Ballet in Glam Dracula | 5/14/1999 | See Source »

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