Word: swetlands
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...Friday, 5 p.m., Park Street, red line. Trains whiz by left and right. An 8.5" by 11" sign perches on a guitar case: "This performance has been modified in the following manner: It is fitted to fit this subway platform." Karl Swetland wears a yellow hat over frizzy brown hair that creeps out like Weird Al Yankovic's and a pink tie-dyed shirt reading "Red Raspberries" that compliments his acid-washed jeans perfectly. Commuters look on in wonder as the beanie babies in his guitar case stare back in equal amusement. Swetland fights for attention with the little girls...
...contractor, Ewbank (William Swetland), is on the verge of bankruptcy, but he wants to give his daughter a splashy lawn wedding reception. His workers are sullen, sassy and querulous. Two of them, Fitzpatrick (Emery Battis) and Marshall (John Cazale), verbally dominate the play, like stinging tarantulas. On a certain level, Storey has drawn a scathing portrait of the welfare state prole. But Storey never withdraws his compassion from any of these men. When the foreman, Kay (John Braden), is exposed as an ex-convict, and another workman is mocked because his wife deserted him for his impotence, Storey fills each...
...embrace hellish hedonism, is Don Juan's Mozartean enemy the Statue, here transformed into a good-natured, brainless chap who "always did what it was customary for a gentleman to do." He and his modern avatar are played for less than they are worth by William Swetland, who employs the gimmicks actors use for self-important middle age with competence but no distinction...
...William Swetland as Mitch is gentle and loving, though one would wish that he had made even an attempt at the accent. In smaller parts, Samuel Waterson is sensitive and quite touching as the young collector, and Stanley Jay makes something truly spine-tingling out of a brief bit as a flower seller...
...chaste Hero, Chase Crosley is lovely indeed. Her suitor Claudio, in the hands of George Grizzard, is frankly poor; he does not seem to know what he is saying, and cannot approach the classical diction required of a Shakespearean "proper squire." Robert Blackburn is a cheerful Don Pedro; William Swetland is a good enough Leonato; and Sydney Sturgess is comely as the gentlewoman Margaret...