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Following tradition, George Rose plays both the father of the three children Peter spirits away and the comical Captain Hook, the archvillain of Neverland and "the swiniest swine in the world." But Rose breaks with tradition by being good in half his assignment and not quite so good in the other: he is a fine father but a wayward villain. He has apparently sought to create the same broad, almost campy mannerisms Cyril Ritchard had in the original version, but, perhaps through bad direction, he has overshot his mark. As a result, his Cap tain Hook is almost effeminate, modeled...

Author: /time Magazine | Title: Theater: Remembrances Of Things Past | 9/17/1979 | See Source »

...believe on both color and black-and-white screens. From nursery beginning through Never Land to nursery ending (adapted from Playwright James M. Barrie's sequel, Peter and Wendy). Director-Choreographer Jerome Robbins shaved away sentimentality in favor of movement and daughter; Cyril Ritchard turned Captain Hook ( "the swiniest swine of them all") into a Pirate of Penzance with a fine mixture of cringe and gusto. Of the two sponsors (total payout: $450,000), Ford made palatable its light-touch commercials; RCA tried to fob off Vaughn Monroe in a fantasy of its own and suffered by contrast. After...

Author: /time Magazine | Title: Radio: The Week in Review | 3/21/1955 | See Source »

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