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...swirl of capes and costumes, balloons and special effects, the Potts come to the rescue, triumphing over twin evils: the baron and the score. Written by Robert and Richard Sherman (Mary Poppins), the eleven songs have all the rich melodic variety of an automobile horn. Persistent syncopation and some breathless choreography partly redeem it, but most of the film's sporadic success is due to Director Ken Hughes's fantasy scenes, which make up in imagination what they lack in technical facility. Next to Tiny Tim's hallowed remark, the holiday season's most overworked phrase...

Author: /time Magazine | Title: New Movies: Chug-Chug, Mug-Mug | 12/27/1968 | See Source »

...result is frankly freaky. On one platform, a bearded man lies supine, eyes staring, engrossed in the melange of sound effects and music-ranging from Mozart to the Mothers of Invention-that is pouring through his headphones. On another, a girl guest performs a barefoot ballet, delighting in the swirl of the toga around her legs. Off in a corner, a couple engages in mild petting. Attendants pad back and forth, visiting silently with guests or passing out toys: slide projectors, mirrors, kaleidoscopes, helium-filled balloons. A long-haired girl ties four of the balloons to her tresses and parades...

Author: /time Magazine | Title: Entertainment: Mattress for the Mind | 12/13/1968 | See Source »

...unsmiling dignity of bullfighters, the players in the dressing room tape up their scarred knees and ribs, drop their false teeth and rings into a trainer's cigar box, suddenly smash their shoulder pads in explosive bursts against a tile wall. The game itself is a vivid swirl of colors and curses, as the sweating players pound out their fury against the enemy, then sit alone, gasping and retching on the bench. When Alda final ly takes the field to re-enact Plimpton's quarterbacking blunders, he becomes an unwelcome intruder, making a simple game...

Author: /time Magazine | Title: Cinema: Requiem for a Quarterback | 11/22/1968 | See Source »

...began moving ... not in a crazed swirl but along its own planes ... of light and shadows and surface not nearly so nice and smooth as plasterer Super Plaster Man intended with infallible carpenter level bubble ... not so foolproof as you thought bub, little lumps and ridges up there and lines ... like spines on crests of waves of white desert movie sand each one with MGM shadow longshot of the ominous A-rab coming up over the next crest for only the sinister Saracen can see the road and you don't know how many subplots you left up there Plaster...

Author: By Jay Cantor, | Title: The Electric Kool' Aid Acid Test | 10/19/1968 | See Source »

...Elephant Steps, had its premiere at Tanglewood in Massachusetts, and it sounded-well, like a giant radio with its dials spinning crazily. Dissonant 12-tone textures melted into a gypsy air. A rock beat crashed into Renaissance madrigals. Ragtime, ragas, taped noises and electronic bleeps tumbled together in a swirl of sound that satirized serious music as much as schmalz. Silverman says it was all meant to be "fun, like raping the styles...

Author: /time Magazine | Title: Opera: Spinning the Dial | 8/16/1968 | See Source »

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