Word: swoboda
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Dates: during 1960-1969
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...first American presentation of Frank Martin's "Le Mystere de la Nativite" will be performed in Sanders Theatre next Friday and Saturday Dec. 14 and 15 by the Harvard Glee Club, the Radcliffe Choral Society, and the Orchestra. Henry Swoboda, director of the Orchestra, will conduct...
...heavily sugarcoated, tasted stale. The third movement, "Song," and the dance in the fifth, however, showed the better side of Kodaly's talents; in the third, the viola (Jean Quillen) played a delicate folk melody to a harpsichord accompaniment. The orchestra handled its end of the music superbly. Swoboda again put on a show, and the audience loved...
...Swoboda wisely chose a first program that was very gratifying to his players, as well as to his listeners. Frescobaldiana revelled in bombast, the Hary Janos Suite, in special effects; and the familiarity of Schubert's "Unfinished" Symphony easily overcame any distractions which the excellence of the piece might have created. What they attempted, Swoboda and the HRO did with the greatest flair; what the audience now deserves is a program as musically ambitious as, say, last week's Bach Society concert. The forthcoming premiere of Frank Martin's choral work, in Sanders and in Carnegie Hall, indicates that Swoboda...
...could remember the HRO emitting before. Difficult transitions--full orchestra dropping away to unveil a quartet of woodwinds--passed in untroubled succession. Massive string sections--nine violas and eleven cellos--luxuriated in lush tone. A fine solo on the English horn by Barbara Cohen introduced the second movement. And Swoboda provided the histrionics on the podium that are among the reasons for going to a good symphony orchestra...
...Swoboda made up for the rather overwhelming Giannini with a clear, clean interpretation of Schubert's "Unfinished" Symphony. Swoboda took the opening Allegro moderato at a leisurely, though defensible, tempo, modifying it as the music demanded. Michael Brenner, clarinet, and Barbara Cohen, oboe, reflected musical thoughtfulness and care in their solos opening and ending the second movement...