Word: sydow
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Dates: during 1960-1969
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Friday, February 26 INGER STEVENS IN SWEDEN (ABC, 8-9 p.m.).* The Farmer's Daughter revisits her native land, talks with former boxing champion Ingemar Johansson and Actor Max von Sydow...
Swedish Actor Max von Sydow, who has appeared potent in the films of Ingmar Bergman, plays Christ vividly but all in one key. Though Von Sydow's brooding face can burn with El Greco agony, he seems little more than a cool, compassionate waxwork as he strides from Nazareth to Judea, recruiting disciples and saving souls with an unbroken flow of scriptural quotations...
...without compassion. The contrast between this remoteness and the fervor on the faces of the communicants as they receive the Host and the Cup states Bergman's theme: a vain search for faith down ways that are closed. Besought, after the service, to counsel a fisherman (Max von Sydow) sick with world-sadness because "the Chinese now have an atom bomb," the pastor starts a confident trust-in-God homily that turns by stages into a pathetic malediction of the "echo God" who answers prayers with superficial comfort. The fisherman's consequent suicide leads the pastor to more...
...other hand, accepts his visions of the Virgin and Child with the same simplicity and sureness as he does the goodness of being alive: doubt could not arise in his mind with regard to either. It is between these two pure extremes that the knight, Max von Sydow, agonizes, the pain of his struggle exacerbated by the other forms in which faith presents itself: as terrified fanaticism in the monks and soldiers--in the flagellants, as a masochistic disease...
Bergman's Opus I is constructed conscientiously as a quartet, a thematic analysis of four lives. The lives are those of a well-known novelist (Gunnar Bjornstrand), his 17-year-old son (Lars Passgard), his married daughter (Harriet Andersson) and her doctor husband (Max von Sydow), all on vacation on an isolated Baltic island. The daughter, who has recently been electroshocked out of schizophrenia, is trying to face the difficult facts of her life: a devoted husband whom she does not love, a selfish father whose love she needs but cannot have, an ego that stands fascinated, like...