Word: symbolist
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Dates: during 1990-1999
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...that Barney is serious about bees morphing into male bodies oozing sexually with honey; about a seance medium whose face is pierced with rivets. But that is one of the most intriguing things about him: in an age of slick ironists cool beyond belief, Barney is a dead-earnest symbolist plummeting through the rabbit hole of his own nutty logic. You may not get everything that you see. And certainly you may not enjoy it. But it fascinates all the way down...
...fourth draft of a note to the plumber about replacing an old cast-iron wastewater line with polyvinyl-chloride pipe. After a fairly straightforward preamble, it veers off into a six-page symbolist idyll about a lake and a passenger-less rowboat "drifting away in errant eddies like a strange and mute child." It's really quite beautiful...
...Burne-Jones won him a following on the other side of the Channel by connecting him to painters in the stream of French and Belgian Symbolism: Gustave Moreau, Puvis de Chavannes, Fernand Khnopff. Burne-Jones' morbid hypersensitivity was what made him a genuinely advanced figure in Symbolist eyes, and it is the trait that is bringing him back into popularity today, now that "heroic," confrontational Modernism is losing its mandate in our fin de siecle...
...Rubens, Mantegna, Cezanne, Van Gogh, Turner--and illuminatingly good ones by less famous figures, such as Franz Xavier Winterhalter's coolly sumptuous portrait of a 19th century princess on the terrace of her villa in the Crimea, or a small, haunting study of a young girl by the Belgian Symbolist painter Fernand Khnopff. It is already a deeply serious and discriminating collection and may turn into a great...
...poster were anything to go by, Baal was to be an earnest, wrenching and dark drama of sunken sockets and deep grimaces. Weary of exactly such grand concepts and heavy emotions, the young Brecht wrote this play as a mild satire of late-nineteenth-century symbolist drama. This is not to say that the play is not be treated seriously but certainly not with the solemnity that the cast of Baal at the Loeb Ex did. In fact, many, especially amateurs, stay away from lyrical, intense tragedies on stage these days precisely because of the danger of ending...