Word: symboliste
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Museum Piece. The initiation rite carries the cachet of having been quilled in the 17th century by the Earl of Rochester (Tynan unearthed parts of it in the archives of the Victoria and Albert Museum). Other notable contributors include 19th century French Symbolist Poet Paul Verlaine, French Playwright Eugene Ionesco and Tynan himself. As director, Tynan chose another Calcutta alumnus, Clifford Williams, formerly of the Royal Shakespeare Company...
...grows from the same stem: a fascination with dreams, nuances, fugitive image-clusters, arcane fragments of memory and culture-an outgrowth of romanticism that, by the end of the 19th century, had accumulated a formidable literature. Cornell, who worshiped Mallarmé for his exactitude of feeling, was the last symbolist poet-a pretty symmetry, for the symbolists were much inspired by another American, Edgar Allan...
Recovered, Wilson set about "accomplishing work which I had begun to feel was long overdue." The best early result was the superb study of the exquisite Symbolist movement that was to become his first major book, Axel's Castle. ("Living? We'll leave that to the servants," said decadent Count Axel.) This departure exacted its melancholy price. As the decade ended, Wilson was falling away from old companions, from the "outlaw" life of the Village, from youth. The mood was summed up by his favorite cousin Sandy Kimball, a schizophrenic whom Wilson visited in an institution: "Life...
...poem begins with the same engulfing lyrical rhythms that were to characterize much of Clarke's earlier poetry; their sense of grace and music--especially when heard on recordings with Clarke's thick brogue--is perhaps the best this century has yet to offer, combining the rhythms of the symbolist tradition with the sharper forms of the imagists. When Fionn first learns that the two lovers have escaped, for instance. Clarke uses swift lines and the fierce play of light and dark to depict Fionn's tormented rage...
...Clarke could not sustain this early poetry for very long. His next books were uneven, tending to lapse into long ethereal movements that seemed only a parody of Yeats and his forerunners in the symbolist tradition. These years of his life were also the most frustrating for Clarke, for after a three-year English professorship at University College Dublin, he was kicked out for marrying outside the Church. Clarke's marriage went sour all too soon, and his instability--perhaps a byproduct of the tension between his staunch Catholic upbringing and what he called his "little acts of curiosity about...