Word: symbolistes
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...student in Europe during World War I, Borges was greatly influenced by the Symbolist poets and Ultraism, a literary offshoot of Dadaism. Later, back in Argentina, he wrote poetry and essays for avant-garde journals, and edited anthologies of Argentine literature, including a book of detective stories. But it was not until the late '30s that Borges wrote Tlön, Uqbar, Orbis Tertius, one of the first and perhaps best known of his short fictions...
...Appollinaire, among others, had begun in the Paris Academies before the War. The rage which warped so many artists in the years between two wars, verging on insanity and spilling into the excesses of Futurism, was a condition he avoided; Ungaretti took stylistic refuge in the Neo-Symbolist movement of "Hermetic" poetry, in an obscurantism that usually meant praise more than polemic...
...academicism, he transferred to the somewhat freer atmosphere of the Academic Julian, where he met Bonnard, Maurice Denis and Vallotton. Calling themselves the Nabis (Hebrew for prophets), they formed a group to perpetuate Gauguin's theories on painting, Mallarme's on poetry. "To name an object," the symbolist poet had written, "is to do away with three-quarters of the enjoyment. To suggest it, to evoke it -that is what charms the imagination." The art of suggestion, Vuillard discovered, required subtle materials; oil on canvas seemed too shiny and thick. He started painting on unprepared pasteboard, which absorbed...
Motherwell proved a fast learner. The great lesson "of what modern art is all about," he believes, was first stated by French Symbolist Poet Stéphane Mallarmé in 1864: "Paint not the thing, but the effect it produces." For the young Motherwell, the easiest way to set this down was by combining oil, gouache and pieces of torn paper. Today his elegantly signed collages-which often combine pieces of French Gauloises cigarette packages, an envelope from his English bookseller or a football ticket-sell for from $3,500 to $5,500, are considered by connoisseurs the most elegant...
...theatrical vehicle, Prokofiev's libretto is so outlandish as to be curiously fascinating and, at times, good fun. Based on a Gothic tale by the Russian symbolist writer Valery Bryusov, Angel is set in 16th century Germany and revolves, or rather, rolls around a fetching young damsel named Renata (Soprano Eileen Schauler). Unfortunately, she has an advanced case of the screaming meemies. In the first act she bares her problem in a long aria while writhing around the stage on her stomach...