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Word: symbolistes (lookup in dictionary) (lookup stats)
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...symbolist, working in an age of symbols. The imposing and inculating role symbols play in our lives--all the flags in the world, cigarette brands, fast-food chains and supermarkets, groupies, cliques and teams and fetishes and Brooks Brothers and every manner of damned patriotism--has sprung forth a new kind of cynicism...

Author: By David A. Demilo, | Title: The Street Symbolist Finds Her Ark | 5/8/1979 | See Source »

...memory-but the span of memory was as short as the walk from the pond to the studio. In his genius for rendering evanescence within a monumental structure, Monet became a master of le temps retrouvé: the most Proustian of painters. His truer literary equivalent, though, was the symbolist poet Stéphane Mallarmé. The blank page, for Mallarmé, trembled with possibility, as calm water or the tight-stretched canvas did for Monet. Its white flatness was not an absence: it was a poetic element, possessing the character of thought. "The intellectual armature of the poem," Mallarm...

Author: /time Magazine | Title: Art: The Old Man and the Pond | 5/1/1978 | See Source »

...lilies crossing them like clouds. Toward the end of his life, as his vision degenerated-first, after a series of primitive cataract operations, distorting his sight toward yellow, and at last toward blue-Monet rarely left his garden; but then, he did not need to. He had constructed a symbolist heaven on his front doorstep, and (since nature and culture fuse in the hortus conclusus-the enclosed garden-of paradise) the circle of his desires was complete. The result was the most consoling art of the 20th century: not simple in its pleasures, but oceanic in its peace, wave upon...

Author: /time Magazine | Title: Art: The Old Man and the Pond | 5/1/1978 | See Source »

Debussy's Prelude to the Afternoon of a Faun sets to music Mallarme's L'Apresmidi d'un Faune, a symbolist poem replete with a striking vagueness, fluidity and sense of reverie. A faun--half man, half goat--arises from his sleep near Mount Aetna in Italy and wanders through the woods. The whole image is one of dreamy light and dark, tentativeness and delicacy. The faun chases a group of nymphs up and down the mountain, but ultimately loses them as he once again yields to the soothing oppressiveness of sleep...

Author: By Richard Kreindler, | Title: Reverie at Sanders | 3/8/1978 | See Source »

...that Matisse was obsessed with dialogue between nature and culture is, perhaps, to say no more than that he was a painter. But the intensity of that conversation between perceived and stylized form in the cut-outs renders them heroic. They are the climax of the symbolist tradition in France, and may be the greatest works of visual art in that tradition...

Author: /time Magazine | Title: Art: The Sultan and the Scissors | 9/19/1977 | See Source »

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