Word: symbolistic
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FRENCH ART SONGS (RCA Victor). Like the symbolist poets whose verses he sings, Tenor Cesare Valletti evokes sensuous, delicately colored scenes in narrow frames. There are Verlaine's Clair de Lune set to music by three composers (Claude Debussy, Gabriel Fauré and Joseph Szulc), Verlaine's C'est I'Extase by Debussy, and Baudelaire's L'lnvitation au Voyage by Henri Duparc...
Pictures of Visions. "I'm not an abstract expressionist," Greene insists, and in his works he can find plumply rounded female forms and filamentlike masculine figures. "Some people call me a symbolist, but that alone is not a style. Painters might be the last great religious people, in the sense of having a vision. Yet if we really knew what we were painting, most of us would commit suicide." Though Greene's late oils are flamboyant with color, the dark side persists in black maws that gape open in his canvases. "There is always something terrible happening...
...present-day life. The wave of off-Broadway excitement and support for such playwrights as Beckett (Krapp's Last Tape) and Genet (The Balcony) made possible the precarious on-Broadway beachheads of Pinter (The Caretaker) and Ionesco (Rhinoceros). Genet, who is less an absurdist than a perversely erotic symbolist poet of the theater, is a perfect example of the kind of playwright Broadway will still not touch, to its considerable loss. His The Blacks, now well over the 700 mark in performances, is probably the most satisfying work of art ever produced on the color question, an unsentimental depth...
Devilish God. As it becomes clear that Peredonov will never make school inspector, it is also evident that Peredonov's meanness is not merely savage comic realism but cosmic symbolism. Author Sologub. as a leader of the highbrow Symbolist and Decadent literary movements of the 18905. insisted that the moralistic realism of earlier Russian decades was dead. Art should be mystical, symbolic, fantastic. But in rejecting realism. Sologub rejected the real world too, believing, like the Manichaeans, that physical things are the creation of a devilish...
...usual, the Italian press refused to be caught praising the show. One critic wryly suggested that to give money to the prizewinners was irrelevant, and should be immaterial: a symbolist should receive a symbolic prize, an impressionist should be given the impression of having received a prize, and an abstractionist should get something more abstract than cash. Yet many seasoned observers joined in being critical: the big show was, as far as the exhibitions were concerned, one of the tamest since the first Venice Biennale, in 1895. The great abstractionists had taken their place in history, and there seemed...