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Word: symbols (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

First it was the Afro, a frizzy, frazzled look that billowed out as a symbol of black pride and awareness. Later the 'fro became as passe among some avant-garde blacks as the plantation bandanna, giving way to such hairstyles as the puff and the shag. But no successor to the Afro coiffure has caught on more rapidly than the corn-row-tight, Topsy-like plaits that until recently were worn by women. Now a growing number of soul brothers are sporting buckwheat braids in as many variations as there are African nations, where the style is traditional...

Author: /time Magazine | Title: Modern Living: The Masculine Twist | 12/24/1973 | See Source »

...that would be a bit self-serving, don't you think? Even if it permitted a brief discussion of why the Ibis (that mangy, stuffed acromegalic pigeon) is such a perfect symbol for the boys and girls of the Castle. Even if it justified itself with a sociological explanation of why the Lampoon-Crimson feud has petered...

Author: By Arthur H. Lubow, | Title: Oh, Lampoon | 12/19/1973 | See Source »

...jubilant B.U. team mobbed victorious goalie Ed Walsh in front of Section 18, one distraught Harvard rooter screamed something less than complimentary in the direction of two Terriers on the perimeter of the swarm. This prompted a digital symbol and a kind reply by B.U.'s Bob Sunderland...

Author: By M. DEACON Dake, | Title: Dake It Or Leave It | 12/17/1973 | See Source »

...second reason for remembering him may be even more important. Karleton Armstrong's not just a symbol. He's a real person, condemned to spend the next 25 years in prison. For 25 years--maybe less, if he gets parole--he can't go out to watch the leaves change color in the fall, or have a heterosexual love affair, or drop in on a friend when the whim seizes him, or listen to the birds in the morning to make sure it's really spring...

Author: By Seth M. Kupferberg, | Title: Karleton Armstrong | 12/11/1973 | See Source »

Sharp-edged as a sword, erect as a phallus, spare as a symbol, the sculptures of Japan's Masayuki Nagare make even the generous dimensions of Manhattan's Staempfli Gallery seem cramped. They soar through the ceiling, project invisible backdrops of misted mountains against an opaline sea. Within themselves, around themselves, they create their own space. At the age of 50, Nagare has become clearly one of the world's major sculptors...

Author: /time Magazine | Title: Art: Please Touch | 12/3/1973 | See Source »

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