Word: symphoniae
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Dates: during 1960-1969
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...Wagner had to be escaped. The entire community of Europe agonied in the punishing ascendency of the magnificent nineteenth century figures: Beethoven, Wagner, Brahms, Metternich, Bismarck, Darwin. Music was caught in a vortex of gigantic, lavish attempts at the final romantic masterpiece. Mahler's Eighth Symphony, Richard Strauss's Symphonia Domestica and Alpine Symphony, Schoenberg's Pelleas and Melisande and Gurre-Lieder, Scriabin's Poem of Ecstasy were all part of an increasingly grotesque effort to revitalize the nineteenth century musical syntax. Munificently colored cathedrals were raised upon the collapsing sands of lurid fin-de-siecle romanticism. Self-paralysis, excruciating...
RICHARD STRAUSS: SYMPHONIA DOMESTICA (Columbia). Strauss once declared that he found himself as interesting as Napoleon and equally worthy to be the subject of a symphony. He generously included his wife and baby in the scenario when he wrote this tone poem about a day at home. The baby is put to bed as the clock chimes 7 and there is some love music for the happy parents that one imaginative critic has found pornographic. The musical themes are not the most memorable that Strauss ever wrote, but the orchestration is magnificent; and George Szell and the Cleveland Orchestra make...
...Fugue; Corelli's Concerto Grosso in D major, Opus 6, no. 1; Vivaldi's Trio sonata in D minor, Opus 1, no. 12; and Stradella's Sinfonia in D minor. Sunday, Verdi's String Quartet in e minor; Tchaikovskii's Fatum, Symphonic Poem, Opus 77; Strauss's Symphonia domestica, Opus 53; and The Genesis Suite (Prelude by Schonberg, Creation by Shilkret, Adam and Eve by Tansman, Cain and Abel by Milhaud, Noah's Ark by Castelnuovo-Tedesco, Babel by Stravinsky, and The Covenant by Toch...