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In January the Music Institute denounced Franz Schubert as well. Last week the dimensions of the target shrunk, as an article in Jenmin Jih Pao, the Communist Party newspaper, denounced the music of Ottorino Respighi. The work of this modern Italian composer is hardly a touchstone of Western music: he...

Author: By Richard Shepro, | Title: Beethoven: A Running Dog? | 2/21/1974 | See Source »

THE Symphony points out much of what is good and bad in serious Victorian music. It is not and cannot be background music. There is so much sincere emotive material that it could never be left playing in the background like a string of Handel concerti grossi or even Bach...

Author: By Kenneth Hoffman, | Title: Sullivan's Serious Side | 10/11/1973 | See Source »

The companion piece on the Symphony recording is the overture Di Ballo. Despite brilliant engineering and adequate musicianship, it remains a mediocre work. Curiously enough, it is the only large non-operetta of Sullivan's that has survived straight through in the repetoire from its composition. It may still be...

Author: By Kenneth Hoffman, | Title: Sullivan's Serious Side | 10/11/1973 | See Source »

"The snobbish attention to one kind of music to the exclusion of all others is something peculiar to our own times," he says. "In the 16th century, Palestrina used street songs in his Masses. Mozart and Beethoven wrote both classical and 'pop' music, and Bartok used the folk...

Author: /time Magazine | Title: A Letter From The Publisher, Oct. 8, 1973 | 10/8/1973 | See Source »

The opening of Benjamin Britten's latest opera, Death in Venice, poses the question of why no composer has previously tried to set Thomas Mann's writings to music. One reason may be that his themes were often heavily bourgeois. On the other hand, Mann's tales...

Author: /time Magazine | Title: Music: Brilliant Britten | 7/9/1973 | See Source »

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