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Word: symphonicment (lookup in dictionary) (lookup stats)
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Last Thursday at the Pops' opening night in Symphony Hall, Arthur Fiedler led a group of musicians assembled from all parts of the country. The orchestra never achieved the sonority that regulars could produce, but by conscientious playing and careful adherence to the conductor's directions, its members made up...

Author: By Alexander Gelley, | Title: Boston Pops | 5/3/1952 | See Source »

But these were extremes; the more substantial numbers on the program included Enesco's. Roumanian Rhapsody No. 1, Vaughn Williams' Fantasia on "Greensleeves," and Sibelius' Finlandia (the last complete with the popping of champagne corks during the dramatic pauses of the opening section). Rossini's overture to La Gazza Ladra...

Author: By Alexander Gelley, | Title: Boston Pops | 5/3/1952 | See Source »

In Houston's gloomy old municipal auditorium one night last week, Texans plumped into their seats for a go at a favorite pastime: admiring the work of a native son. This time, the son was Composer and Folksong-Arranger (Home on the Range) David Wendel Fentress Guion, 56, a...

Author: /time Magazine | Title: Music: Texas All the Way | 2/18/1952 | See Source »

Most of Cott's bombs have produced more whistle than blast. Among them (on radio): a weekly children's newscast by H. V. Kaltenborn ("Good morning! Last week two bad men tried to kill the President of the United States . . ."); short disk-jockey stints by Conductor Leopold Stokowski...

Author: /time Magazine | Title: Radio: The Little Bombs | 2/11/1952 | See Source »

The least satisfying part of the program was Mozart's Symphonic Concertante for Wind Quartet and small orchestra, a graceful work which an orchestra cannot get across to the listener unless it plays with precision and delicacy. Heaviness in the string section and poor balance between soloists and orchestra resulted...

Author: By Lawrence R. Casler, | Title: The Music Box | 11/19/1951 | See Source »

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