Word: synching
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Dates: during 1970-1979
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Pieces of the Frame is a book that is somehow out of synch with the body of American magazine journalism, and the phrase about Paden is typical of its differentness. McPhee could easily enough have asked the man renting chain saws what his name was, and avoided having to say "Paden, if that was his name." It's certainly one of the prevailing canons of all levels of journalism that writers shouldn't leave out facts, or that if for some reason they are forced to they should at least make a better effort to cover their tracks...
...tell that Dreyfuss and Spielberg were right in synch because the balance between tension and release--a crucial asset to horror movies--is what the director does really well. Unlike The Exorcist, which constantly kept your stomach gnarled waiting for what atrocity you would be subjected to next, shark attacks in Jaws are well spaced until the end when Spielberg turns it on full force, Swooping you up and whooshing you down, it's the fun of a fishy roller coaster ride. Spielberg is better at the slow thrills--that sort of slither up on you and let you fall...
...gold; she fits the period and the part because her ingenue role is so undemanding that she fleshes it out with her talents. Supposedly on the brink of 21, she plays 20 by seesawing around it, looking and talking 30, acting 14. She is so sharply out of synch with herself, speaking with her mother's haughty assurance yet still compulsively playing Daddy's girl, that she is instantly, perceptively comical in a way that the men's flabby clowning is not. Her blue-blooded New England accent, sharp and petted, is a perfect edge against Nicholson's nasal, sparwling...
Crooks is a man who seems the tiniest fraction of a beat out of synch with Harvard, a man who describes himself as "sort of on the edge" of things here, as "not quite in the main stream...
...quite so perfect. Crooks is a man who seems the tiniest fraction of a beat out of synch with Harvard, a man who describes himself as "sort of on the edge" of things here, as "not quite in the main stream." He is director of a substantial fiefdom--but one very much apart from the rest of Harvard in time and in its basic assumptions and standards. He was a House master--but of the non-resident, catch all House. He graduated from Harvard, gaining a bona fide Ivy League background--but at the age of 31. And the particular...