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Word: syntax (lookup in dictionary) (lookup stats)
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Michael B. Sullivan, a resident tutor in the Classics at Dunster House who advised Agarwalla on his grammar and syntax, says the speech is unique because it combines “scientific and humanistic points of view...

Author: By Andrew C. Esensten, CRIMSON STAFF WRITER | Title: Agarwalla Will Poke Fun At Growing Up At Harvard | 6/10/2004 | See Source »

...give them all the necessary training. His few concessions to the cruel April in which 83 Americans have lost their lives in Iraq was to say repeatedly that the last few weeks have been ?tough.? One of Bush's first lines was a classic example of his sometimes-mangled syntax: ?This has been tough weeks in that country...

Author: /time Magazine | Title: Sizing Up Bush's Press Conference | 4/13/2004 | See Source »

...you’re going to hear in the background of MTV’s Rich Girls, like the hook from 2000’s, “Mr. Your On Fire Mr.,” off the debut, which recently made this television appearance. That exercise in poor syntax was recently covered by the Yeah Yeah Yeah’s, another band in the growing crowd of NYC art-punks, whose flamboyant lead singer Karen O dates the flamboyant lead singer of The Liars, Angus Andrew—perhaps the Gwen and Gavin for a hipper generation? The Liars...

Author: By Christopher A. Kukstis, CONTRIBUTING WRITER | Title: Concert Review | 12/12/2003 | See Source »

...Bush's malaprops and mangled syntax have given the late-night comedians as much material as Bill Clinton's sex life once did. But what's most revealing--and what drives people into one corner or the other--is the words he doesn't stumble over. Dead or alive. Bring 'em on. And then there's the phrase that comes up so often in his public pronouncements, the one that some hear as a measure of confidence and others as one of smug disdain: "I expect." He expects the Congress to act, he expects the U.N. to show some backbone...

Author: /time Magazine | Title: The Love Him, Hate Him President | 12/1/2003 | See Source »

...Sometimes the past is too strong for words. It won't lie quietly under the bonds of syntax and grammar. Marjane Satrapi's childhood in revolutionary Iran?a childhood hijacked by religious fundamentalism, that witnessed the imposition of the veil, that saw the legal age of marriage for girls lowered to nine?is almost too full of trauma to be confined to a prose narrative. Satrapi powerfully captures the Ayatollahs' tyranny by rendering it in the spare, black- and-white images of a graphic novel, much as Art Spiegelman did in Maus, his comic-strip version of the Holocaust...

Author: /time Magazine | Title: Art History | 8/10/2003 | See Source »

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