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Word: syntax (lookup in dictionary) (lookup stats)
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...relief, Safire was never enough of an insider to be admitted to Nixon's Watergate conversations. But he was the official notetaker at countless other meetings, scribbling away, cleaning up everyone's syntax, deleting ahs and ahums, making everyone sound decisive. He did not know, of course, that Nixon's recorders were silently and efficiently capturing everything that he was leaving out. ∙Edward Magnuson

Author: /time Magazine | Title: Books: A Shifty Defense | 3/17/1975 | See Source »

...deux from The Nutcracker. " 'Where are you, Valery?' I cried to myself," she said later. However, in The Lady and the Hooligan, a Shostakovich ballet, Galina's feathery pirouettes and Panov's dramatic aerial twists and one-knee landings were expressed in sharp balletic syntax...

Author: /time Magazine | Title: Music: The Panovs at Last | 2/17/1975 | See Source »

...crouched an old fat furnace, gurgling away through most of the show. Next to it stood a vaudevillian theatre mirror lined with a few dusty but brightly lit bulbs. Old pop cans, boxes, and performance notes decked the floor and walls, and a new bottle of "Syntax" hand lotion sat ready for use on one of the two midget benches opposite me. There was a sense here of routine nervousness waiting anxiously to boil up, like an indy-500 pitstop ready to eject...

Author: By James Ulmer, | Title: Like King Tut, Only Alive | 2/13/1975 | See Source »

...about half. This was his signal in start the show. A cheap alarm clock was quickly adjusted and wound to keep taos off the length of the performance, and actress Lina Harvey dashed on some eyeliner. Jack Blessing mumbled about needing to hop to the John and everyone spread "Syntax" and kisses around for good luck. In a few seconds they all darted off onto the stage to begin the show's familiar opening number: a series of hilarious pantomines of various ballgames to illustrate to the spectator that "each proposition is your ball, you toss...

Author: By James Ulmer, | Title: Like King Tut, Only Alive | 2/13/1975 | See Source »

...discussion of asymmetry and ambiguity, for example. But here, too, linguistic analogies often lead him astray. There is something crudely reductionist about his view of poetry as prose dressed up by poetic transformations, and his claim that the sound structure ("phonology") of poetry works against structure and meaning ("syntax" and "semantics") ignores the work of linguists and literary critics alike...

Author: By James Gleick, | Title: Whither Bernstein? | 1/8/1975 | See Source »

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