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...Anyone covering Congress—as I did for much of 40 years—covered Ted Kennedy. He was always accessible to explain what he was trying to do, the obstacles, why compromise was needed to get anything done. Sometimes his syntax was too awkward to quote directly, as if his mind was moving faster than his mouth, but you knew what he meant...

Author: By Adam Clymer | Title: Against the Wind | 6/5/2008 | See Source »

...true crime is that the 1994 revision changes the syntax, meaning and feel of the first verse rather than keeping the original meaning as intact as possible. “We join in thy jubilee throng” succeeds at being both undramatic and unpoetic. If we must revise our history, I believe a much more humble approach to Gilman’s great work would be to simply replace the two words “thy sons” with “we all.” This changes nothing grammatically or syntactically and maintains the original intention...

Author: By Brian S. Gillis | Title: Fair Harvard | 6/4/2008 | See Source »

...true crime is that the 1994 revision changes the syntax, meaning, and feel of the first verse rather than keeping the original meaning as intact as possible. “We join in thy jubilee throng” succeeds at being both undramatic and unpoetic. If we must revise our history, I believe a much more humble approach to Gilman’s great work would be to simply replace the two words “thy sons” with “we all.” This changes nothing grammatically or syntactically and maintains the original intention...

Author: By Brian S Gillis | Title: Fair Harvard | 5/19/2008 | See Source »

...landmark moment. Anticipation in the legal community was no less fevered, with dozens of parties filing briefs on both sides. Inside, the argument before the Court hinged on the justices' interpretation of the 27-word sentence that has been scrutinized all the way down to its puzzling syntax. The critical question for the justices was whether the language confers an individual right to own a gun in addition to providing for "a well regulated Militia...

Author: /time Magazine | Title: Gun Control Laws in the Cross Hairs | 3/19/2008 | See Source »

...Beethoven” stories, in their formal and thematic abrasiveness, perhaps working towards such a new idiom? Seen charitably, the fictional world of “Beethoven Was One-sixteenth Black” is one of interracial mélange, in which, by disregarding syntax, we can circle the absent center of identity. As the title story’s protagonist probingly asks, “So what’s happened to the ideal of the Struggle (the capitalized generic of something else that’s never over, never mind history-book victories) for recognition, beginning...

Author: By Alison S. Cohn, CRIMSON STAFF WRITER | Title: Nobel Winner’s ‘Beethoven’ an Uneven Performance | 12/14/2007 | See Source »

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