Word: syntaxes
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...Buckley's Eisenhower is a refreshing bit of revisionism. From behind the famous grin and fractured press-conference syntax, the Great Golfer emerges as crisp, shrewd and decisive: "Herter, go back and study the minutes of all National Security Council meetings going back three months at least. Then assume everything we said is known to the Kremlin. Report back to me, and advise me how this will affect a) our policy; b) our negotiations; c) our public statements . . . Twining? Do the same thing . . . Get back to me by the fifth of October, or by the time their missiles land...
...electronic babble and self-actualization, people sometimes fall silent. Their clothes, on the other hand, never shut up. In her first work of nonfiction, Novelist Alison Lurie contends that clothing even has a complete grammar, a complex syntax and a large vocabulary. The accent, however, is rarely standard English. In Lurie's view, our apparel often speaks in the spicy euphemisms of a stand-up comic or trumpets the dim promises of a politician. The author has previously parodied social-and sexual-intercourse in her novels (The War Between the Tates, The Nowhere City, Real People and Only Children...
...Kent on whether he had heard the news "from an official spokesman, or are we all beginning to repeat each other?" Over at ABC, Frank Reynolds explained: "We are obliged to give you information that may turn out to be inaccurate." At moments, the frustration and uncertainty swamped their syntax. Pointing out a prostrate figure in the first still photograph of the shooting at 12:02 p.m. E.D.T., CBS's Rather said, "It is believed, reportedly, supposedly, allegedly, President Sadat in the lower right hand corner of this photograph." Finally, Egyptian Vice President Hosni Mubarak in a statement...
...open plan was transmitted to Germany by Frank Lloyd Wright. Adolf Loos' messianic rejection of ornament in the early 1900s, which became such a fetish with the International Stylists, came straight out of his infatuation with American machine culture. Le Corbusier derived a good deal of his architectural syntax from the "functional" shapes of American grain elevators, docks and airplanes. And when European modernists in the early '20s dreamed up their Wolkenkratzers (cloud scratchers), the nearest the German language could come to the alien Yankee concept of a skyscraper, critics accused the modernists of deserting their native traditions...
...turn of the century. Its bearers were among the pioneers of photographic modernism-Edward Steichen, Clarence White and Alvin Langdon Coburn, with their "symbolist," tremulous images of tree and field. In these artful and decorous prints, as Szarkowski remarks, "Nature has become ... a part of the known habit and syntax of art, like fruit or flowers arranged on the sideboard." After them, the problem was to recomplicate the game of seeing; to show how the camera could deal with what was neither familiar in landscape nor quite amenable to the given pictorial conventions. Edward Weston did this with closeups...