Word: synths
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Dates: during 2000-2009
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...normative issues—popular in the early to mid-1980s, is usually defined by down-home folks like Springsteen, Tom Petty, and John Cougar Mellencamp: artists who wrote tender blue-collar tales of broken American dreams and perseverance over folksy rock backings, not maudlin anecdotes over bubbling synth lines...
...perfect up-tempo intro for the following track “Sweatshop,” which is quite possibly the epitome of chill. The song starts with a pristine beat and xylophone line and then enters a trance-like mood as Sciubba echoes in French over dreamy, subtle synth. At its halfway mark, it picks up pace with steady bass and sends the dreamy feeling of the song to a crescendo...
...smooth jazz blunders seem to come in the middle of the second disc, even the rest of the tracks seem like throwbacks to a time that to many younger listeners just sounds too eighties. “Dara Factor Two” opens with the brushes of a synth-heavy pop song and can’t manage to recover, conjuring up images of neon pink and black outfits and primitive special effects in music videos...
...economic class are not as easy to surmount as general wisdom would have it. No ringing choruses of “We are the World” in this house. Our conversational exchanges never quite leave the sphere of the superficial; the lofty realms of ’80s-synth-happy harmony are as accessible to us as Betelgeuse...
...familiar tonal palette over the course of an entire album while eluding the joint specter of drudgery and repetition.Yet rather than a sprawling masterwork, “So This is Goodbye” is a cohesive album, whose melodic bass lines issue taut rejoinders to lazy keyboard echoes, delicate synth arpeggios, and efficient percussion—complete with judicious handclaps, especially on “First Time” (alas, sans cowbell).Despite the album’s electro-sheen and programmatic counterpoint, singer Jeremy Greenspan’s high, reverb-enhanced vocals imbue the tracks with a necessary human...