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Arriving in Paris in 1924, Hungarian-born Gyula Halász was anything but a photographer. A painter and occasional journalist, he even confessed to despising the art form. But he was a night owl, attracted to a city couched in the glow of street lamps and dense mist. Nocturnal Paris was, to him, a "world of pleasure, of love, vice, crime, drugs ... Paris at its most alive." The work of Brassaï, as Halász became in 1932 (meaning "from Brassó," his native village), made him one of the most admired and enduring photographers of the last...
Arriving in Paris in 1924, Hungarian-born Gyula Halász was anything but a photographer. A painter and occasional journalist, he even confessed to despising the art form. But he was a night owl, attracted to a city couched in the [an error occurred while processing this directive] glow of street lamps and dense mist. Nocturnal Paris was, to him, a "world of pleasure, of love, vice, crime, drugs ? Paris at its most alive." And best illuminating it called for a camera. The work of Brassaï, as Halász became in 1932 (meaning "from Brass...
...meet the requirements. You don't do what you are supposed to." These tough words - from NATO Secretary-General George Robertson, no less - greeted Hungarian Defense Minister Ferenc Juhász during his second week in the job. On a visit to the alliance's Brussels headquarters fresh from his Hungarian Socialist Party's general election victory last April, Juhász was shocked: "I was expecting more cooperative language. All the other countries were unfriendly. They questioned our seriousness in the fight against terrorism. They questioned our trustworthiness as an ally." What went wrong? When Hungary was admitted...
DIED. Brassaï, 84, internationally renowned photographer who recorded the nighttime Parisian underworld of whores, hoodlums and homosexuals, of brothels, cabarets and opium dens, with a unique combination of directness, detachment and generosity; of a heart attack; in Eze sur Mer, France. Born Gyula Halász in Brassó (the origin of his pseudonym), in what is now Rumania, he went to Paris in 1924 to sculpt and write, then turned to photography to illustrate his articles. In 1933 his first major collection of seamy scenes, Paris de Nuit, was a sensation; a larger, franker version published...
...milked 20 cows every morning and coped with lost sheep and a smelly goat. Then he switched to his favorite sermon text, John 3:16, "For God so loved the world that he gave his only Son" (in Hungarian: "Ugy szerette, Isten a világot, hogy egy szülött Fiát adta oda"). When Graham concluded by asking the Hungarians to signal their rededication to Jesus Christ, thousands of arms were raised in response...