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When David L. Szanton ’60 arrived on the Harvard campus as a freshman in the fall of 1956, he found the school inhospitable to his passion for sculpture, literally. “There wasn’t any space at all for people interested in art,” he said. “There was nowhere we could work.” Studios were reserved for students studying architectural science; students who wanted to create were often forced to use their dorm rooms as ateliers. Frustrated with the lack of space, Szanton approached a dean...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: Making Room for Art | 6/1/2009 | See Source »

...time Szanton graduated, the University had embarked upon two large-scale constructions to make room for the arts at Harvard—the Loeb Drama Center, begun in 1959 and completed in 1960 and the Carpenter Center, planned in 1959 and completed in 1963. These two projects, part of an overall plan to increase the presence of art on campus, gave student artists the space to thrive. But as the school built homes for the arts in brick and concrete, some students feared that creativity itself, under the University’s watch, would be rigidified...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: Making Room for Art | 6/1/2009 | See Source »

...that any creative person can walk into and mess up the canvas and try things,” said Yoshiaki Shimizu ’63, now an art history professor at Princeton University. There was room to fool around. “The Carpenter Center,” said Szanton, “is 40 times the size of our two little rooms in Dudley House...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: Making Room for Art | 6/1/2009 | See Source »

Directed by Sarah Szanton...

Author: By Abigail M. Mcganney, | Title: Between the Lovers | 10/31/1986 | See Source »

...Commentators do less well with their material but that perhaps is a fault inherent in the play. In any case, a host of other elements join together to make this one-act play a brisk, satisfying show. Szanton's sensitive direction, Friel's delightfully natural dialogue, and the nuanced lead performances compensate for an often unnerving dramatic structure...

Author: By Abigail M. Mcganney, | Title: Between the Lovers | 10/31/1986 | See Source »

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